Photographs freed from the scientific bias can, and indeed usually do, have double meanings, implied meanings, unintended meanings, can hint and insinuate, and may even mean the opposite of what they apparently mean.
In photography, the issue of the integration of form and content is exceptionally difficult because of the widely held belief that photographs must b… - Peter C Bunnell
In photography, the issue of the integration of form and content is exceptionally difficult because of the widely held belief that photographs must b…
- Peter C Bunnell
Photographs freed from the scientific bias can, and indeed usually do, have double meanings, implied meanings, unintended meanings, can hint and insi… - Peter C Bunnell
Photographs freed from the scientific bias can, and indeed usually do, have double meanings, implied meanings, unintended meanings, can hint and insi…
Each image suggests an inner reality, a kind of scar of the past, a reflection of an act or an event once lived. - Peter C Bunnell
Each image suggests an inner reality, a kind of scar of the past, a reflection of an act or an event once lived.
Full-color images lack the poignancy of monochrome... Black-and-white film inherently peels off interesting images from the world; it sees things we … - Peter C Bunnell
Full-color images lack the poignancy of monochrome... Black-and-white film inherently peels off interesting images from the world; it sees things we …
In a sense, photographs are highly literary, and the photographer, like the writer, has to be both a master of craft and a visionary. Patient accumul… - Peter C Bunnell
In a sense, photographs are highly literary, and the photographer, like the writer, has to be both a master of craft and a visionary. Patient accumul…
You see in the photograph what you are. - Peter C Bunnell
You see in the photograph what you are.
The nineteenth-century way of looking at the photograph was as a mirror for the memory, and at that time the photographs almost looked like mirrors, … - Peter C Bunnell
The nineteenth-century way of looking at the photograph was as a mirror for the memory, and at that time the photographs almost looked like mirrors, …
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