... photography is an imprint or transfer off the real; it is a photochemically processed trace causally connected to the thing in the world to which it refers in a manner parallel to fingerprints or footprints or the rings of water that cold glasses leave on tables. The photograph is thus generically distinct from painting or sculpture or drawing. On the family tree of images it is closer to palm prints, death masks, the Shroud of Turin, or the tracks of gulls on beaches.
To convulse reality from within, to demonstrate it as fractured spacing, became the collective result of all that vast range of techniques to which s… - Rosalind E. Krauss
To convulse reality from within, to demonstrate it as fractured spacing, became the collective result of all that vast range of techniques to which s…
- Rosalind E. Krauss
Photographic cropping is always experienced as a rupture in the continuous fabric of reality. - Rosalind E. Krauss
Photographic cropping is always experienced as a rupture in the continuous fabric of reality.
More than a rejection or dissolution of the past, avant-garde originality is conceived as a literal origin, a beginning from ground zero, a birth. - Rosalind E. Krauss
More than a rejection or dissolution of the past, avant-garde originality is conceived as a literal origin, a beginning from ground zero, a birth.
The frame announces that between the part of reality that was cut away and this part there is a difference; and that this segment which the frame fra… - Rosalind E. Krauss
The frame announces that between the part of reality that was cut away and this part there is a difference; and that this segment which the frame fra…
Photography's vaunted capture of a moment in time is the seizure and freezing of presence. It is the image of simultaneity, of the way that everythin… - Rosalind E. Krauss
Photography's vaunted capture of a moment in time is the seizure and freezing of presence. It is the image of simultaneity, of the way that everythin…
By exposing the multiplicity, the facticity, the repetition and stereotype at the heart of every aesthetic gesture, photography deconstructs the poss… - Rosalind E. Krauss
By exposing the multiplicity, the facticity, the repetition and stereotype at the heart of every aesthetic gesture, photography deconstructs the poss…
... photography is an imprint or transfer off the real; it is a photochemically processed trace causally connected to the thing in the world to which… - Rosalind E. Krauss
... photography is an imprint or transfer off the real; it is a photochemically processed trace causally connected to the thing in the world to which…
Here is a paradox. It would seem that there cannot be surrealism and photography, but only photography or surrealism. - Rosalind E. Krauss
Here is a paradox. It would seem that there cannot be surrealism and photography, but only photography or surrealism.
No longer do we accept the 'sublimation model' according to which 'the function of art is to sublimate or transform experience, raising it from ordin… - Rosalind E. Krauss
No longer do we accept the 'sublimation model' according to which 'the function of art is to sublimate or transform experience, raising it from ordin…
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