Photography is the mirror, more faithful than any actual mirror, in which we witness at every age, our own aging. The actual mirror accompanies us through time, thoughtfully and treacherously; it changes with us, so that we appear not to change.
Photography is linked with death in many different ways. The most immediate and explicit is the social practice of keeping photographs in memory of l… - Christian Metz
Photography is linked with death in many different ways. The most immediate and explicit is the social practice of keeping photographs in memory of l…
- Christian Metz
The person who has been photographed, not the total person, is dead, dead for having been seen. - Christian Metz
The person who has been photographed, not the total person, is dead, dead for having been seen.
I would say that the off-frame effect in photography results from a singular and definitive cutting-off which figures castration and is figured by th… - Christian Metz
I would say that the off-frame effect in photography results from a singular and definitive cutting-off which figures castration and is figured by th…
Photography is the mirror, more faithful than any actual mirror, in which we witness at every age, our own aging. The actual mirror accompanies us th… - Christian Metz
Photography is the mirror, more faithful than any actual mirror, in which we witness at every age, our own aging. The actual mirror accompanies us th…
The familiar photographs that many people carry with them always obviously belong to the order of fetishes in the ordinary sense of the word. - Christian Metz
The familiar photographs that many people carry with them always obviously belong to the order of fetishes in the ordinary sense of the word.
Film is difficult to explain because it is easy to understand. - Christian Metz
Film is difficult to explain because it is easy to understand.
The importance of immobility and silence to photographic authority, the nonfilmic nature of this authority, leads me to some remarks on the relations… - Christian Metz
The importance of immobility and silence to photographic authority, the nonfilmic nature of this authority, leads me to some remarks on the relations…
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