The pedal is the soul of the piano.
Pianists call me a composer, composers call me a pianist. The classicists think me a futurist, and the futurists call me a reactionary.
Interpretation
What this quote means
This quote reflects the complexity of identity and how individuals are perceived differently by various groups.
Anton Rubinstein's quote highlights the multifaceted nature of identity in the arts, specifically in music. It shows how a person's work can be interpreted in contrasting ways depending on the perspective of the observer, indicating that labels such as 'composer' or 'pianist' may not capture the full essence of an artist's capabilities and contributions. The differing views of classicists and futurists further illustrate this point, emphasizing that artistic expression can transcend categorization.
Themes
In practice
Example use cases
In a speech about the role of art in society, one could use this quote to illustrate the diverse interpretations of artists.
More from Anton Rubinstein
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I really don't care that much about "Beauties." What I really like are Talkers. To me, good talkers are beautiful because good talk is what I love. The word itself shows why I like Talkers better than Beauties, why I tape more than I film. It's not "talkies." Talkers are doing something.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
Painting is a science, and should be pursued as an inquiry into the laws of nature.
The point of my photography has always been to challenge myself, to go a little further than my Germanic discipline and Teutonic nature would traditionally permit me to.
So here I stand before you preaching organic architecture: declaring organic architecture to be the modern ideal and the teaching so much needed if we are to see the whole of life, and to now serve the whole of life, holding no traditions essential to the great TRADITION. Nor cherishing any preconceived form fixing upon us either past, present or future, but-instead-exalting the simple laws of common sense-or of super-sense if you prefer-determining form by way of the nature of materials.
The beauty one can find in art is one of the pitifully few real and lasting products of human endeavor.