I have always felt that the best gardens aspired to coppice and that the best woods have all the elements of the very best gardens.
Monty DonRead
When you plant something, you invest in a beautiful future amidst a stressful, chaotic and, at times, downright appalling world.
Interpretation
Planting is a hopeful act that brings beauty to a chaotic world.
This quote emphasizes the act of planting as a metaphor for investing in positive outcomes and beauty in an often stressful and chaotic world. It suggests that even amidst difficulties, creating and nurturing can lead to hopeful and beautiful futures.
In practice
During a community meeting on sustainability, someone shared this quote to inspire collective gardening efforts.
I have always felt that the best gardens aspired to coppice and that the best woods have all the elements of the very best gardens.
I just think that gardening is about the future, a slow thing, that is deep and spiritual as well as spiritually rewarding.
Sweet peas should smell. Half the point of growing sweet peas is to cut them for the house; they should fill a room with an almost painful olfactory inarticulateness. But most sweet peas smell of nothing. This does not stop them being beautiful, but they are like food with no flavour.
Gardening is inevitably a process of constant, remorseless change. It is the constancy of that process that is so comforting, not any fixed moment.
I use the period between Christmas and New Year to potter about, think and completely change my mindset. In that easy no-man's-land between Boxing Day and New Year, loins are girded and mettle readied. It is time, as we voyagers bid farewell to the old year, to fare forward.
I am always more interested in people than plants. Nature doesn't make gardens, people make gardens. And the story of a garden is always the story of a person.
Nature in her unfathomable designs had mixed us of clay and flame, of brain and mind, that the two things hang indubitably together and determine each other's being but how or why, no mortal may ever know.
I listen to the summer symphony outside my window. Truthfully, it's not a symphony at all. There's no tune, no melody, only the same notes over and over. Chirps and tweets and trills and burples. It's as if the insect orchestra is forever tuning its instruments, forever waiting for the maestro to tap his baton and bring them to order. I, for one, hope the maestro never comes. I love the music mess of it.
We can't blame children for occupying themselves with Facebook rather than playing in the mud. Our society doesn't put a priority on connecting with nature. In fact, too often we tell them it's dirty and dangerous.
There are flood and drought over the eyes and in the mouth, dead water and dead sand contending for the upper hand. The parched eviscerate soil gapes at the vanity of toil, laughs without mirth. This is the death of the earth.
...We're allotted a little space on earth and that we survive in that wilderness that can take back what it has given, as easily as blowing its breath on us or sending the sea to tell us we are not so big. When we forget how close the wilderness is in the night, my grandpa said, someday it will come in and get us, for we will have forgotten how terrible and real it can be.
Animals come from nature. They were not designed. All my inspiration comes from nature, whether it's an animal or the layout of bark or of a leaf. Sometimes my patterns are very bold, and you can barely see where they come from, but all the textures and all the prints come out of nature.
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