A poem needs disguises. It needs secrets. It thrives on the tension between what is said and not said; it prefers the oblique, the implied, the ironic, the suggestive; when it speaks, it wants you to lean forward a little to overhear; it wants you to understand things only years later.
A poem needs disguises. It needs secrets. It thrives on the tension between what is said and not said; it prefers the oblique, the implied, the ironi… - J. D. Mcclatchy
A poem needs disguises. It needs secrets. It thrives on the tension between what is said and not said; it prefers the oblique, the implied, the ironi…
- J. D. Mcclatchy
The best criticism is the sort that tells you what you already know but had been reluctant to accuse yourself of. - J. D. Mcclatchy
The best criticism is the sort that tells you what you already know but had been reluctant to accuse yourself of.
No poem should be an urn to contain a meaning, but a net to catch what meanings float through the day. - J. D. Mcclatchy
No poem should be an urn to contain a meaning, but a net to catch what meanings float through the day.
To shelter and to hide, they have resigned themselves. - J. D. Mcclatchy
To shelter and to hide, they have resigned themselves.
I prefer formal techniques, and use sonnets and rhyme, any manner of scheme to give a shape and order-of feeling as well as argument-to a poem. But a… - J. D. Mcclatchy
I prefer formal techniques, and use sonnets and rhyme, any manner of scheme to give a shape and order-of feeling as well as argument-to a poem. But a…
Novelists want to flood, poets want to distill. - J. D. Mcclatchy
Novelists want to flood, poets want to distill.
At least since Darwin's day, we have known that all of us originally emerged from the sea. That fact may account for our abiding fascination with it,… - J. D. Mcclatchy
At least since Darwin's day, we have known that all of us originally emerged from the sea. That fact may account for our abiding fascination with it,…
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