It is enough for a poet to be the guilty conscience of his age.
Saint-John PerseRead
Poetry allies itself with beauty - a supreme union - but never uses it as its ultimate goal or sole nourishment.
Interpretation
Poetry embraces beauty but does not solely rely on it for its purpose.
This quote by Saint-John Perse suggests that while poetry is deeply connected to beauty, the essence of poetry transcends mere aesthetic appreciation. Instead of using beauty as its only source of inspiration, poetry seeks deeper meanings and truths, engaging with emotions and experiences that go beyond the surface.
In practice
In a poetry workshop, to emphasize the depth of poetry, I could quote 'Poetry allies itself with beauty - a supreme union - but never uses it as its ultimate goal or sole nourishment.'
It is enough for a poet to be the guilty conscience of his age.
In truth, every creation of the mind is first of all 'poetic' in the proper sense of the word; and inasmuch as there exists an equivalence between the modes of sensibility and intellect, it is the same function that is exercised initially in the enterprises of the poet and the scientist.
The poet existed among the cave men; he will exist among men of the atomic age, for he is an inherent part of man. Even religions have been born from the need for poetry, which is a spiritual need, and it is through the grace of poetry that the divine spark lives forever in the human flint.
For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.
To a degree, the Greek and Roman mythological heroes are just the first superheroes. They appeal to children for much the same reason. These gods and heroes may have powers, but they get angry and they do the wrong thing. They are human too.
Now art should never try to be popular. The public should try to make itself artistic.
The truest writers are those who see language not as a linguistic process but as a living element.
In business sharp practice sometimes succeeds, but in art honesty is not only the best but the only policy.
There was a beauty in the trash of the alleys which I had never noticed before; my vision seemed sharpened, rather than impaired. As I walked along it seemed to me that the flattened beer cans and papers and weeds and junk mail had been arranged by the wind into patterns; these patterns, when I scrutinized them, lay distributed so as to comprise a visual language.
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