It is the job of poetry to clean up our word-clogged reality by creating silences around things.
Stephane MallarmeRead
As for me, Poetry takes the place of love, because it is enamored of itself, and because this self-lust has a delightful dying fall in my soul.
Interpretation
Poetry fulfills the emotional void of love, capturing an intense self-love that resonates deeply within.
In this quote, Mallarme suggests that poetry serves as a substitute for romantic love, emphasizing its self-referential quality. He appreciates poetry's ability to evoke deep emotional experiences, equating its beauty and intensity with the passionate feelings usually reserved for love, suggesting that this relationship with poetry provides a unique fulfillment in his soul.
In practice
Using this quote in a discussion about the relationship between poetry and personal experiences of love.
It is the job of poetry to clean up our word-clogged reality by creating silences around things.
The pure work implies the disappearance of the poet as speaker, who hands over to the words.
The poetic act consists of suddenly seeing that an idea splits up into a number of equal motifs and of grouping them; they rhyme.
A soul trembling to sit by a hearth so bright, To exist again, itβs enough if I borrow from Your lips the breath of my name you murmur all night.
There are only three sports: bullfighting, motor racing, and mountaineering; all the rest are merely games.
Now and again thousands of memories _x000D_ converge, harmonize, _x000D_ arrange themselves around a central idea _x000D_ in a coherent form, _x000D_ and I write a story.
I love ensemble pieces, I love being a part of the entire tapestry of a piece, but I think character actors do have a lot more fun, and there's a versatility involved that's challenging and fun, to come up to speed and do what's required of you.
Music, when combined with a pleasurable idea, is poetry; music, without the idea, is simply music; the idea, without the music, is prose, from its very definitiveness.
I don't choose to make low-budget films. But that is the reality of surviving in the Japanese film industry. However, the trade off is, since we're working on small budgets, we have freedom. You can't buy this freedom with money. With this freedom, I think there are an infinite number of possibilities.
I like films that take their time a little bit more and don't show you all of their cards right away, characters that are conflicted and contradicting and seem one way at first and then suddenly turn out to be something else.
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