I use poetry to help me work through what I don’t understand, but I show up to each new poem with a backpack full of everywhere else that I’ve been.
Interpretation
The quote expresses how personal experiences shape the creation of poetry and understanding.
In this quote, Sarah Kay reflects on the relationship between her personal experiences and her poetry. She suggests that each poem she writes is influenced by her past, utilizing her life experiences as a resource to navigate the complexities of her emotions and thoughts. By acknowledging what she has learned and encountered, she brings depth to her creations, emphasizing that poetry is not just an isolated art form but a reflection of one's journey and understanding of the world.
In practice
In a workshop on creative writing, discussing how personal experiences can inform poetic expression.
When I hear other people's stories, I like to believe that they contribute to my 'Encyclopedia of Human Experience.' The stories I hear help me expand my definition of what love is, what pain feels like, what sacrifice means, what laughter can do.
Spoken word poetry is the art of performance poetry. I tell people it involves creating poetry that doesn't just want to sit on paper, that something about it demands it be heard out loud or witnessed in person.
Life will hit you hard in the face, wait for you to get back up just so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air.
But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed.
If I should have a daughter, instead of "Mom," she's going to call me "Point B," because that way she knows that no matter what happens, at least she can always find her way to me.
Not all poetry wants to be storytelling. And not all storytelling wants to be poetry. But great storytellers and great poets share something in common: They had something to say, and did.
There is force and vitality in a first sketch from life which the after-work rarely has. You want a picture to seize you as forcibly as if a man had seized you by the shoulder! It should impress you like reality!
Look, then, into thine heart, and write! Yes, into Life's deep stream! All forms of sorrow and delight, All solemn Voices of the Night, That can soothe thee, or affright, - Be these henceforth thy theme. (excerpt from "Voices of the Night")
I like commas. I detest semi-colons - I don't think they belong in a story. And I gave up quotation marks long ago. I found I didn't need them, they were fly-specks on the page.
I went to the zoo one day and saw a chimp playing with a beat-up acoustic guitar in a way I had never seen before. Instead of using the pick the chimp was banging the neck and tapping it with its fingers. I knew the chimp was on to something so I practiced this new technique in my room for hours until I'd perfected it.
My influences have been what I call my four Bs - the primary one being the blues, then Borges, Baraka, and Bearden.
What could be more simple and more complex, more obvious and more profound than a portrait.
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