There's no doubt that scientific training helps many authors to write better science fiction. And yet, several of the very best were English majors who could not parse a differential equation to save their lives.
David BrinRead
Writing can be taken up at any point. But you need to remember that the arts are fundamentally unfair. Hard work and diligence won't necessarily take you all the way. Talent, nepotism, influence, and pure luck play a huge part.
Interpretation
Writing is accessible to anyone, but success often relies on factors beyond effort alone.
David Brin's quote emphasizes that while anyone can pursue writing and artistic endeavors, success in these fields is not solely determined by hard work and dedication. Factors such as inherent talent, connections, and luck significantly influence the outcome, highlighting the unpredictable nature of the arts.
In practice
This quote is perfect for a motivational speech about pursuing creative careers.
There's no doubt that scientific training helps many authors to write better science fiction. And yet, several of the very best were English majors who could not parse a differential equation to save their lives.
Competition, by itself, always leads to cheating by the powerful, who try to establish pyramids of power, like feudalism. Yet, competition is the great creative force! So how do we save it from its own contradictions? By cooperation! By cooperating with each other, via politics, to make rules and prevent cheating, so that competition can thrive!
Change is the principal feature of our age and literature should explore how people deal with it. The best science fiction does that, head-on.
It's how creativity works. Especially in humans. For every good idea, ten thousand idiotic ones must first be posed, sifted, tried out, and discarded. A mind that's afraid to toy with the ridiculous will never come up with the brilliantly original.
When it comes to privacy and accountability, people always demand the former for themselves and the latter for everyone else.
Human beings are inherently misled into subjective fantasies, but there's a saving grace. We all have different delusions. Other people don't necessarily share yours, and hence they will help you penetrate yours through the miracle of criticism!
When you're writing a novel, you spend four years sitting in your basement and a year waiting for the book to come out and then you get the feedback. When you do work online, the moment you're finished making it, people start responding to it which is really fun and allows for a kind of community development you just can't have in novels.
If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies.
When I made my first film, I think the thing was probably helped me the most was that it was such an unusual thing to do in the early 50s for someone who actually go and make a film. People thought it was impossible. It really is terribly easy. All anybody needs is a camera, a tape recorder, and some imagination.
I grew up when one of America's greatest black playwrights, August Wilson, was writing about life in Pittsburgh, but I never saw myself in any of his straight-male plays. And then I see 'Angels,' which was so honest and painful, and it had this black drag queen in it, Belize, with a big heart. I finally had a character to relate to.
Creating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next.
We cannot be all the writers all the time. We can only be who we are. Which leads me to my second point: writers do not write what they want, they write what they can.
Subscribe for the occasional hand-picked quote. No noise.