In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
Svetlana AlexievichRead
From the point of view of art, the butcher and the victim are equal as people. You need to see the people.
Interpretation
The quote emphasizes that in art, both the perpetrator and the victim hold equal significance and humanity.
Svetlana Alexievich's quote highlights the notion that art transcends the roles of individuals in a narrative, urging the viewer or reader to recognize the shared humanity of all parties involved, regardless of their moral standing. It calls attention to the importance of seeing beyond the labels of 'butcher' and 'victim' to understand the deeper human experiences that connect us.
In practice
This quote can be used in a discussion about the roles of characters in artistic storytelling.
In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
The subjects I wanted to write about - the mystery of the human soul, evil - didn't interest newspapers, and news reporting bored me.
'Women's' war has its own colors, its own smells, its own lighting, and its own range of feelings. There are no heroes and incredible feats; there are simply people who are busy doing inhumanly human things.
There is no need to give in to the compromise that totalitarian regimes always count on.
I've been searching for a genre that would be most adequate to my vision of the world to convey how my ear hears and my eyes see life. I tried this and that, and finally, I chose a genre where human voices speak for themselves. But I don't just record a dry history of events and facts; I'm writing a history of human feelings.
Nothing, not even human life, is more precious to us than our myths about ourselves.
Good directing is good writing and good casting.
Good taste is the enemy of creativity.
I like a thing simple but it must be simple through complication. Everything must come into your scheme, otherwise you cannot achieve real simplicity.
To exaggerate the fairness of hair, I come even to orange tones, chromes and pale yellow ... I make a plain background of the richest, intensest blue that I can contrive, and by this simple combination of the bright head against the rich blue background, I get a mysterious effect, like a star in the depths of an azure sky.
Give me a museum and I'll fill it.
People with a lot of money don't dress as well as people who have to make do, who have to be inventive. Those are the people who are always more interestingly dressed, I think. Everything I do, I do with gut instinct. If I think too much, it won't come out right.
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