In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
Svetlana AlexievichRead
From the point of view of art, the butcher and the victim are equal as people. You need to see the people.
Interpretation
The quote emphasizes that in art, both the perpetrator and the victim hold equal significance and humanity.
Svetlana Alexievich's quote highlights the notion that art transcends the roles of individuals in a narrative, urging the viewer or reader to recognize the shared humanity of all parties involved, regardless of their moral standing. It calls attention to the importance of seeing beyond the labels of 'butcher' and 'victim' to understand the deeper human experiences that connect us.
In practice
This quote can be used in a discussion about the roles of characters in artistic storytelling.
In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
The subjects I wanted to write about - the mystery of the human soul, evil - didn't interest newspapers, and news reporting bored me.
'Women's' war has its own colors, its own smells, its own lighting, and its own range of feelings. There are no heroes and incredible feats; there are simply people who are busy doing inhumanly human things.
There is no need to give in to the compromise that totalitarian regimes always count on.
I've been searching for a genre that would be most adequate to my vision of the world to convey how my ear hears and my eyes see life. I tried this and that, and finally, I chose a genre where human voices speak for themselves. But I don't just record a dry history of events and facts; I'm writing a history of human feelings.
Nothing, not even human life, is more precious to us than our myths about ourselves.
I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.
I never said the camera was truth. It is, however, a more accurate and more objective way of seeing.
Sometimes, when you're on the streets, certain music inspires you, and then you have a vision. But, at the end of the day, it's a synthesis of visions, so you have to think, as a director, of a scene, or how to deliver a line, or how do this visually.
I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
Drawing is a kind of hypnotism: one looks in such a way at the model, that he comes and takes a seat on the paper.
When you're lucky enough to have a good film made of your novel - and 'Never Let Me Go' is, believe me, a heartbreakingly good film indeed - you get wonderfully talented individuals each focusing on their special area.
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