Women know the way to rear up children (to be just). They know a simple, merry, tender knack of tying sashes, fitting baby-shoes, and stringing pretty words that make no sense. And kissing full sense into empty words.
Elizabeth Barrett BrowningRead
Or from Browning some "Pomegranate," which if cut deep down the middle Shows a heart within blood-tinctured, of a veined humanity.
Interpretation
The quote reflects the idea of discovering the deep emotions and shared humanity that lie beneath the surface of appearances.
In this evocative quote, Elizabeth Barrett Browning uses the metaphor of a pomegranate, which when cut reveals its rich, blood-tinted interior, to illustrate the complexities of human emotion and the shared experiences that define our humanity. The symbolism of the pomegranate, often associated with life and fertility, conveys how beneath the external layers, there is a profound and vibrant essence that connects us all through our struggles and joys.
In practice
In a discussion about the depth of human experiences at a literary event.
Women know the way to rear up children (to be just). They know a simple, merry, tender knack of tying sashes, fitting baby-shoes, and stringing pretty words that make no sense. And kissing full sense into empty words.
She has seen the mystery hid Under Egypt's pyramid: By those eyelids pale and close Now she knows what Rhamses knows.
First time he kissed me, he but only kissed The fingers of this hand wherewith I write; And, ever since, it grew more clean and white.
Earth's crammed with heaven, And every common bush afire with God: But only he who sees takes off his shoes.
Our Euripides the human, With his droppings of warm tears, and his touchings of things common Till they rose to meet the spheres.
Love me sweet With all thou art Feeling, thinking, seeing; Love me in the Lightest part, Love me in full Being.
My tears are like the quiet drift of petals from some magic rose; and all my grief flows from the rift of unremembered skies and snows. I think that if I touched the earth, it would crumble; it is so sad and beautiful, so tremulously like a dream.
The wolf howled under the leaves And spit out the prettiest feathers Of his meal of fowl: Like him I consume myself.
When I breathe,_x000D_ This sound in my chest_x000D_ Lonelier than the winter wind
Especially when the October wind With frosty fingers punishes my hair, Caught by the crabbing sun I walk on fire And cast a shadow crab upon the land, By the sea's side, hearing the noise of birds, Hearing the raven cough in winter sticks, My busy heart who shudders as she talks Sheds the syllabic blood and drains her words.
In this particular tub, two knees jut up like icebergs, while minute brown hairs rise on arms and legs in a fringe of kelp; green soap navigates the tidal slosh of seas breaking on legendary beaches; in faith we shall board our imagined ship and wildly sail among sacred islands of the mad till death shatters the fabulous stars and makes us real.
Sitting over words _x000D_ Very late I have heard a kind of whispered sighing _x000D_ Not far _x000D_ Like a night wind in pines or like the sea in the dark _x000D_ The echo of everything that has ever _x000D_ Been spoken _x000D_ Still spinning its one syllable _x000D_ Between the earth and silence.
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