Women know the way to rear up children (to be just). They know a simple, merry, tender knack of tying sashes, fitting baby-shoes, and stringing pretty words that make no sense. And kissing full sense into empty words.
Elizabeth Barrett BrowningRead
Or from Browning some "Pomegranate," which if cut deep down the middle Shows a heart within blood-tinctured, of a veined humanity.
Interpretation
The quote reflects the idea of discovering the deep emotions and shared humanity that lie beneath the surface of appearances.
In this evocative quote, Elizabeth Barrett Browning uses the metaphor of a pomegranate, which when cut reveals its rich, blood-tinted interior, to illustrate the complexities of human emotion and the shared experiences that define our humanity. The symbolism of the pomegranate, often associated with life and fertility, conveys how beneath the external layers, there is a profound and vibrant essence that connects us all through our struggles and joys.
In practice
In a discussion about the depth of human experiences at a literary event.
Women know the way to rear up children (to be just). They know a simple, merry, tender knack of tying sashes, fitting baby-shoes, and stringing pretty words that make no sense. And kissing full sense into empty words.
She has seen the mystery hid Under Egypt's pyramid: By those eyelids pale and close Now she knows what Rhamses knows.
First time he kissed me, he but only kissed The fingers of this hand wherewith I write; And, ever since, it grew more clean and white.
Earth's crammed with heaven, And every common bush afire with God: But only he who sees takes off his shoes.
Our Euripides the human, With his droppings of warm tears, and his touchings of things common Till they rose to meet the spheres.
Love me sweet With all thou art Feeling, thinking, seeing; Love me in the Lightest part, Love me in full Being.
So in the dark we hide the heart that bleeds, And wait, and tend our agonizing seeds.
And I will find some peace there, for peace comes dropping slow,/ Dropping from the veils of the morning to where the cricket sings.
I sometimes hold it half a sin To put in words the grief I feel For words, like nature, half reveal And half conceal the soul within. But, for the unquiet heart and brain A use measured language lie's The sad mechanic exercise Like dull narcotic's, numbing pain In words, like weeds, I'll wrap me o'er Like coarsest clothes against the cold But large grief which these enfold Is given in outline and no more.
Let us go then, you and I, When the evening is spread out against the sky
America is a poem in our eyes; its ample geography dazzles the imagination, and it will not wait long for metres.
With a changing key, you unlock the house where the snow of whatβs silenced drifts. Just like the blood that bursts from Your eye or mouth or ear, so your key changes. Changing your key changes the word That may drift with flakes. Just like the wind that rebuffs you, Clenched round your word is the snow.
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