The fact I had my father as an adversary was such a powerful tool to work with. I subconsciously fought him to the degree that I drove me to be one of the most successful musician in the world.
George MichaelRead
With pop stars or film stars, we become the object of people's self-definition, as well as the object of sexual definition.
Interpretation
This quote reflects on how celebrities shape our identities and perceptions, influencing how we view ourselves sexually and socially.
George Michael's quote delves into the relationship between celebrities and their audiences, suggesting that the ways in which we perceive pop and film stars significantly impact our own self-definition and sexual identity. By looking up to these figures, we often allow their personas to define aspects of our own lives, thus highlighting the power of celebrity culture in shaping societal norms and individual identities.
In practice
During a speech about the influence of media on self-image.
The fact I had my father as an adversary was such a powerful tool to work with. I subconsciously fought him to the degree that I drove me to be one of the most successful musician in the world.
I know I have a very self-destructive tendency since my mother died, I have got to be honest.
I'm not stupid enough to think that I can deal with another 10 or 15 years of major exposure. I think that is the ultimate tragedy of fame... People who are simply out of control, who are lost. I've seen so many of them, and I don't want to be another cliche.
It's the ones who resist that we most want to kiss, wouldn't you say?
The whole business is built on ego, vanity, self-satisfaction, and it's total crap to pretend it's not.
Because of the media, the way the world is perceived is as a place where resources and time are running out. We're taught that you have to grab what you can before it's gone. It's almost as if there isn't time for compassion.
What to the Slave is the 4th of July.
Everlastingly chained to a single little fragment of the Whole, man himself develops into nothing but a fragment; everlastingly in his ear the monotonous sound of the wheel that he turns, he never develops the harmony of his being, and instead of putting the stamp of humanity upon his own nature, he becomes nothing more than the imprint of his occupation or of his specialized knowledge.
Houses, like people, are apt to become rather eccentric if left too much on their own; this house was the architectural equivalent of an old gentleman in a worn dressing-gown and torn slippers, who got up and went to bed at odd times of day, and who kept up a continual conversation with friends no one else could see.
The old cathedrals are good, but the great blue dome that hangs over everything is better.
There was never a good war, or a bad peace.
The great paradox of the 21st century is that, in this age of powerful technology, the biggest problems we face internationally are problems of the human soul.
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