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One might say that "Torch Song" is, in part, about the urgency of the effort to pin things down and what wild dart throwing that desire leads to.
The failure of protection, the importance of recognizing the ways in which we influence (and infect) each other - the fact that being an "individual" can't protect you - these are issues I've been thinking about for a while.
Given our examination of the behavior of our police forces at this moment the question of protection has an extra resonance, yes?
Wherever something is "pinned down" there's a little hole - at least one - more likely many.
And Complicated Grief is a text that announces, from the start, in its citation of influence, dense intertextuality and hybridity, a failure of some apparent or usual protections, and a need to re-examine "identity" in the light of an acknowledgement of our entanglements and interdependence.
Is the professor who insists we read Ernest Hemingway again instead of Gertrude Stein "obsessing"? Because although I did a BA in English, an MFA in Poetry, and a year's worth of a PhD, Stein was an author I had to discover on my own. She wasn't on the syllabus anywhere in all that time.
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