The power of both myth and art is this magical ability to open doors, to make connections - not only between us and the natural world, but between us and the rest of humanity. Myths show us what we have in common with every other human being, no matter what culture we come from, no matter what century we live in. . .and at the same time, mythic stories and art celebrate our essential differences.
Interpretation
Myth and art connect humanity by highlighting both our shared experiences and our unique differences.
Alan Lee's quote suggests that myths and art hold a unique power to bridge gaps between individuals and cultures. They facilitate understanding and connection among people, illustrating the universal experiences of humanity while also celebrating the diverse qualities that make each culture distinct. This duality enriches our connections to both the natural world and each other, fostering a deeper appreciation of our shared existence.
In practice
This quote can inspire a speech at an art exhibition focusing on cultural diversity.
To draw a tree, to pay such close attention to every aspect of a tree, is an act of reverence not only toward the tree, and toward the earth itself, but also our human connection to it. This is one of the magical things about drawing - it gives us almost visionary moments of connectedness.
Profoundness, genius, spontaneity, merit, nobility, ingenuity, voice propriety, feeling, discernment, sensibility, good taste, great tone, rightness, courtliness, vivacity, boldness, style, freshness, harmony, perfection, imagination, purity, correctness. The greatest writer of all times. God's most astonishing creation.
Pleasure to me is wonder—the unexplored, the unexpected, the thing that is hidden and the changeless thing that lurks behind superficial mutability.
You've got to sell your heart, your strongest reactions, not the little minor things that only touch you lightly, the little experiences that you might tell at dinner. This is especially true when you begin to write, when you have not yet developed the tricks of interesting people on paper, when you have none of the technique which it takes time to learn. When, in short, you have only your emotions to sell.
Stories always have held conflicts and contrasts, highs and lows, life and death situations. And there can be much suffering in stories, but now we say the artist doesn’t have to suffer to show suffering. You just have to understand the human condition, understand the suffering.
If you don't live it, it won't come out your horn.
Music itself is going to become like running water or electricity. So it's like, just take advantage of these last few years because none of this is ever going to happen again. You'd better be prepared for doing a lot of touring because that's really the only unique situation that's going to be left.
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