Heart, we will forget him, You and I, tonight! You must forget the warmth he gave, I will forget the light.
Emily DickinsonRead
A precious, mouldering pleasure 't is To meet an antique book In just the dress his century wore; A privilege, I think, His venerable hand to take, And warming in our own, A passage back, or two, to make To times when he was young. His quaint opinions to inspect, His knowledge to unfold On what concerns our mutual mind, The literature of old.
Interpretation
The quote reflects the joy and privilege of engaging with old literature, allowing us to connect with the past.
Emily Dickinson beautifully expresses the profound pleasure of interacting with antique books, viewing them as gateways to past times and perspectives. By holding such a book, one can feel a connection to the author’s era and gain insights into their thoughts and knowledge, creating a timeless bridge between the past and present.
In practice
A speaker at a literary event could use this quote to emphasize the importance of preserving and appreciating older works of literature.
Heart, we will forget him, You and I, tonight! You must forget the warmth he gave, I will forget the light.
I held a jewel in my fingers And went to sleep. The day was warm, and winds were prosy; I said: "'T will keep." I woke and chid my honest fingers,— The gem was gone; And now an amethyst remembrance Is all I own.
I'll tell you how the sun rose, a ribbon at a time. The steeples swam in amethyst, The news like squirrels ran. The hills untied their bonnets, The bobolinks begun. Then I said softly to myself, "That must have been the sun!
My best Acquaintances are those With Whom I spoke no Word
This is the Hour of Lead- Remembered, if outlived, As freezing persons, recollect the Snow- First-Chill-then Stupor- then the letting go---
Luck is not chance, it's toil; fortune's expensive smile is earned.
Basically everything I've done in art, I was in possession of when I was 20 years old. I use a waste retrieval method of working. I'll go back and use something that disgusted me 15 years ago but that I had enough sense to think about. Some artists change dramatically. I see my work more like history being written.
To express what is the most moral, healthful and beautiful in art this is the mission of the dancer, and to this I dedicate my life.
A musician is a professional, whether he or she is successful or not. The profession itself must be regarded as a stable job.
I have always included minority characters in my stories, often as heroes.
I consider writing practice a true Zen practice because it all comes back at you. You can't fool anyone because it's on the page.
Every device there is in language is there to be used, if you will. Poets have got to enjoy themselves sometimes, and the twistings and convolutions of words, the inventions and contrivances, are all part of the joy that is part of the painful, voluntary work.
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