When I have one martini, I feel bigger, wiser, taller. When I have a second, I feel superlative. When I have more, there's no holding me.
William FaulknerRead
the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat
Interpretation
Good writing arises from the inner conflicts of the human heart, which are fundamental to the human experience.
William Faulkner suggests that the essence of meaningful writing lies in the struggles and contradictions within a person's character and emotions. These internal conflicts resonate deeply with readers, as they reflect the complexities of life and the human condition, making such writing invaluable and worthy of effort.
In practice
In a creative writing workshop, to inspire students, this quote can emphasize the importance of personal struggles in storytelling.
When I have one martini, I feel bigger, wiser, taller. When I have a second, I feel superlative. When I have more, there's no holding me.
I feel like a wet seed wild in the hot blind earth.
When grown people speak of the innocence of children, they dont really know what they mean. Pressed, they will go a step further and say, Well, ignorance then. The child is neither. There is no crime which a boy of eleven had not envisaged long ago. His only innocence is, he may not be old enough to desire the fruits of it...his ignorance is, he does not know how to commit it...
Maybe times are never strange to women: it is just one continuous monotonous thing full of the repeated follies of their menfolks.
He had a word, too. Love, he called it. But I had been used to words for a long time. I knew that that word was like the others: just a shape to fill a lack; that when the right time came, you wouldn't need a word for that any more than for pride or fear....One day I was talking to Cora. She prayed for me because she believed I was blind to sin, wanting me to kneel and pray too, because people to whom sin is just a matter of words, to them salvation is just words too.
Ever since then I have believed that God is not only a gentleman and a sport; he is a Kentuckian too.
For me it remains an open question whether [this work] pertains to the realm of mathematics or to that of art.
I've written so many verses and keep on writing so many more that I became afraid that if I didn't write them into one big book, I might forget some of them.
But then, that's the beauty of writing stories-each one is an exploratory journey in search of a reason and a shape. And when you find that reason and that shape, there's no feeling like it.
There are a couple of strategies for writing about an absence or writing about a loss. One can create the person that was lost, develop the character of the fiancee. There's another strategy that one can employ, maybe riskier... Make the reader suffer the loss of the character in a more literal way.
I think the best advice I give is to try not to write. Try not to overwrite, try not to make it sound too good. Just use your own voice. Use your own style of putting it down.
Meanwhile, let us have a sip of tea. The afternoon glow is brightening the bamboos, the fountains are bubbling with delight, the soughing of the pines is heard in our kettle. Let us dream of evanescence, and linger in the beautiful foolishness of things.
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