I want to create a world with objects and surroundings that are human, more romantic, and less sterile.
Marcel WandersRead
A product can live on one great idea. An interior needs 1,000 great ideas to really live, which makes interior design a whole orchestration of this art of juxtaposition, placement, and combination.
Interpretation
Interior design requires a multitude of creative ideas to create a vibrant space, unlike products that may thrive on a single great idea.
The quote emphasizes the complexity and richness involved in interior design compared to product development. While a product may succeed with a single innovative idea, effective interior design hinges on the nuanced arrangement and combination of countless ideas, suggesting that the art of creating engaging spaces is a delicate orchestration of creativity and design principles.
In practice
This quote could inspire designers at a conference on interior aesthetics.
I want to create a world with objects and surroundings that are human, more romantic, and less sterile.
I've always liked the idea of making things that last forever, not necessarily in the sense of being unbreakable, but more psychologically permanent. Most people throw stuff away not because it's broken but because their relationship with that object is broken.
I have been a designer all my life, and design, for me, is to share love and trust and show the future in a beautiful way. I have worked on this principle all my life.
My design always has a political agenda. When I borrow components from various cultures and juxtapose them in an object, it is a message that co-existence is indeed possible. Design creates an ideal world where different ideas live close to each other in perfect harmony.
When I make chairs, they have legs; they can go anywhere in the world. Interiors are a different responsibility. A house is a representation of where you are, and it has to be right for the place.
Design, by definition, is an eco-friendly activity, as its aim is to create objects which are meaningful and durable. Trends always cost resources, but a true designer creates wares which will remain relevant forever.
We Orientals find beauty not only in the thing itself but in the pattern of the shadows, the light and darkness which that thing provides.
Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour.
Maurice Sendak never - I remember he said something that was very striking because it's something I never thought about. I always loved his work, and he said, 'I don't really view myself as a children's book author. I just try and write about childhood as honestly as I can.'
A story is like something you wind out of yourself. Like a spider, it is a web you weave, and you love your story like a child.
We go to the theater to be entertained, but if what is left after you watch the movie is a sort of eye-opening perspective on some social issues, then it can be a really powerful piece of art.
[...] I've come to the conclusion that the artist can not justify life or come up with a cogent reason as to why life is meaningful, but the artist can provide you with a cold glass of water on a hot day.
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