An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
Interpretation
The value of art comes from both the creator and the observer's perspective.
Marcel Duchamp emphasizes the duality in the art experience, highlighting that both the artist who creates the work and the viewer who interprets it play equally crucial roles in defining the art's significance. This perspective challenges traditional views that often place more importance on the creator alone, advocating for the active engagement of the audience in the artistic process.
In practice
In a speech about the value of creativity, you might use this quote to highlight the role of the audience in appreciating art.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
Humor and laughter - not necessarily derogatory derision - are my pet tools. This may come from my general philosophy of never taking the world too seriously - for fear of dying of boredom.
Now that the black experience isn't viewed as box-office death, people are catching up to untapped auteurs.
The pages are still blank, but there is a miraculous feeling of the words being there, written in invisible ink and clamoring to become visible.
I think women are vital to the future of the superhero comics and the entire industry - as creators, as editors, as consumers, as retailers.
Older people say, 'Oh I loved you in 'Sense and Sensibility,'' and that's the only film they want to talk about. Equally, there are people who only want to talk about 'Galaxy Quest.' And there's a whole bunch of teenagers who only want to talk about 'Dogma.'
Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.
The Last Airbender is an agonizing experience in every category I can think of and others still waiting to be invented. The laws of chance suggest that something should have gone right. Not here. It puts a nail in the coffin of low-rent 3D, but it will need a lot more coffins than that.
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