An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
Interpretation
The value of art comes from both the creator and the observer's perspective.
Marcel Duchamp emphasizes the duality in the art experience, highlighting that both the artist who creates the work and the viewer who interprets it play equally crucial roles in defining the art's significance. This perspective challenges traditional views that often place more importance on the creator alone, advocating for the active engagement of the audience in the artistic process.
In practice
In a speech about the value of creativity, you might use this quote to highlight the role of the audience in appreciating art.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
Humor and laughter - not necessarily derogatory derision - are my pet tools. This may come from my general philosophy of never taking the world too seriously - for fear of dying of boredom.
My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship.
I make a model of the site. There are some obvious things: where the entrance should be, where the cars have to go in. You start to get the scale of it. You understand the client's needs, and what the client is hoping for and yearning for.
Film music should have the same relationship to the film drama that somebody's piano playing in my living room has on the book I am reading.
Lately I've been struck with how I really love what you can't see in a photograph. An actual physical darkness. And it's very thrilling for me to see darkness again.
Unlike some of my peers, I haven't really hit a writer's block. When I hit a block I just paint, which is an old crop rotation trick.
If the world were clear, art would not exist.
Subscribe for the occasional hand-picked quote. No noise.