An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
Interpretation
The value of art comes from both the creator and the observer's perspective.
Marcel Duchamp emphasizes the duality in the art experience, highlighting that both the artist who creates the work and the viewer who interprets it play equally crucial roles in defining the art's significance. This perspective challenges traditional views that often place more importance on the creator alone, advocating for the active engagement of the audience in the artistic process.
In practice
In a speech about the value of creativity, you might use this quote to highlight the role of the audience in appreciating art.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
Humor and laughter - not necessarily derogatory derision - are my pet tools. This may come from my general philosophy of never taking the world too seriously - for fear of dying of boredom.
Didn't you tie the mittens on her feet (Wednesday Evening's) extra special nice? Yes--she is an extra special nice pigeon. She cries for pity when she wants pity. And she shuts her eyes when she doesn't want to look at you. And if you look deep in her eyes when her eyes are open you will see lights there exactly like the lights on the pastures and the meadows when the mist is drifting on a Wednesday evening just between the twilight and gloaming.
There are dozens of young poets and fictioneers most of them a little insane in the tradition of James Joyce, who, however insane they may be, have refused to be genteel and traditional and dull.
Films are neither true nor false. That includes my films, as well as others. They may make claims that are true or false, but films are too complex. They have too many ingredients.
I think it's insulting to an audience to make them sit and watch a film and then give them a message in one sentence.
As authors evolve and try to trace the precedents that have shaped their work, it sometimes becomes a matter of identifying the shadowy figure in the back row of the mental photograph, or of grabbing at the tail of a memory that's just slipping out the window into thin air.
There's a kind of power thing about the camera. I mean everyone knows you've got some edge. You're carrying some magic which does something to them. It fixes them in a way.
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