I am a professional photographer because it is the best way I know to earn the money I require to take care of my wife and children.
Interpretation
The quote expresses the idea that artistry can be a means to support one's family.
Irving Penn highlights the connection between his profession as a photographer and his responsibility as a provider for his family. Through his craft, he not only pursues his passion for photography but also ensures the financial support needed to raise and take care of his wife and children, emphasizing the role of art as a practical means to fulfill family obligations.
In practice
During a speech at a photography seminar, I could use this quote to highlight the balance between artistry and providing for loved ones.
Sensitive people faced with the prospect of a camera portrait put on a face they think is one they would like to show the world very often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe.
I've tried a few times to depart from what I know I can do, and I've failed. I've tried to work outside the studio, but it introduces too many variables that I can't control. I'm really quite narrow, you know.
I can get obsessed by anything if i look at it long enough. That's the curse of being a photographer.
The essential is to excite the spectators. If that means playing Hamlet on a flying trapeze or in an aquarium, you do it.
My goal is for 'Heavy Rain' to leave an imprint in you and change a little bit of who you are and how you see things. Maybe the key characters and key moments will leave a trace in you. If you don't have this ambition as a video-game creator, then maybe you should do something else, because this is what creation and art is about.
When you play a sax, that saxophone is irreverent. It's noisy; it's a trickster... you cannot hide the saxophone in your hands, so it's a good teacher.
I have the words already. What I am seeking is the perfect order of words in the sentence. You can see for yourself how many different ways they might be arranged.
I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me.
I like films that take their time a little bit more and don't show you all of their cards right away, characters that are conflicted and contradicting and seem one way at first and then suddenly turn out to be something else.
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