O suffering, sad humanity! O ye afflicted ones, who lie Steeped to the lips in misery, Longing, yet afraid to die, Patient, though sorely tried!
Henry Wadsworth LongfellowRead
As to the pure mind all things are pure, so to the poetic mind all things are poetical.
Interpretation
A creative mind sees beauty and artistic expression in everything.
In this quote, Longfellow suggests that just as a pure mind perceives everything positively, a poetic mind finds artistic inspiration and significance in all aspects of life. This reflects the idea that our perspective shapes our experience and that those with a creative mindset can transform the mundane into the extraordinary through their imagination and interpretation.
In practice
In an art class, a teacher might use this quote to encourage students to see inspiration everywhere.
O suffering, sad humanity! O ye afflicted ones, who lie Steeped to the lips in misery, Longing, yet afraid to die, Patient, though sorely tried!
There are moments in life, when the heart is so full of emotion That if by chance it be shaken, or into its depths like a pebble Drops some careless word, it overflows, and its secret, Spilt on the ground like water, can never be gathered together.
Perseverance is a great element of success. If you only knock long enough and loud enough at the gate, you are sure to wake up somebody.
To be seventy years old is like climbing the Alps. You reach a snow-crowned summit, and see behind you the deep valley stretching miles and miles away, and before you other summits higher and whiter, which you may have strength to climb, or may not. Then you sit down and meditate and wonder which it will be.
God is not dead; nor doth He sleep; ... _x000D_ The wrong shall fail,_x000D_ The right prevail,_x000D_ With peace on earth, good will to men.
In the long run men hit only what they aim at.
The whole world, as we experience it visually, comes to us through the mystic realm of color.
What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on.
Detroit, my 'great' subject, made me the person I am, consequently the writer I am - for better or worse.
I write almost always in the third person, and I don't think the narrator is male or female anyway. They're both, and young and old, and wise and silly, and sceptical and credulous, and innocent and experienced, all at once. Narrators are not even human - they're sprites.
But failure has to be an option in art and in exploration - because it's a leap of faith. And no important endeavor that required innovation was done without risk. You have to be willing to take those risks.
I have a complex feeling about genre. I love it, but I hate it at the same time. I have the urge to make audiences thrill with the excitement of a genre, but I also try to betray and destroy the expectations placed on that genre.
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