One day/_x000D_ One day I waited for myself/_x000D_ I said to myself Guillaume it's time you came/_x000D_ So I could know just who I am/_x000D_ I who know others.
Guillaume ApollinaireRead
To insist on purity is to baptize instinct, to humanize art, and to deify personality.
Interpretation
The quote suggests that advocating for purity in art elevates instinct and personal expression.
Guillaume Apollinaire's quote reflects on the relationship between purity, instinct, and the human experience in art. It implies that when we embrace purity in artistic expression, we are not just refining our instincts but also enhancing our humanity and personal traits, making art a divine reflection of ourselves. This highlights the transformative power of creativity and the importance of personal authenticity in artistic endeavors.
In practice
In a discussion about modern art, you might use this quote to emphasize the value of personal expression.
One day/_x000D_ One day I waited for myself/_x000D_ I said to myself Guillaume it's time you came/_x000D_ So I could know just who I am/_x000D_ I who know others.
People quickly grow accustomed to being the slaves of mystery.
Now and then it's good to pause in our pursuit of happiness and just be happy.
Come to the edge.' 'We can't. We're afraid.' 'Come to the edge.' 'We can't. We will fall!' 'Come to the edge.' And they came. And he pushed them. And they flew.
It's raining my soul, it's raining, but it's raining dead eyes.
Vienne la nuit sonne l'heure_x000D_ _x000D_ Les jours s'en vont je demeure
I cannot speak for more than an hour exclusively about poetry. At that point, life itself takes over again.
The main thing I love about street photography is that you find the answers you don't see at the fashion shows. You find information for readers so they can visualize themselves.
I strive for an architecture from which nothing can be taken away.
My songs are personal music, they're not communal. I wouldn't want people singing along with me. It would sound funny. I'm not playing campfire meetings. I don't remember anyone singing along with Elvis, Carl Perkins or Little Richard.
When you're a writer and something difficult happens to you, one of the things involved in that is this emergence of narrative potential. And there's then a kind of self-consciousness about telling a story in which you suffered.
Beautiful young people are accidents of nature, but beautiful old people are works of art.
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