I asked her to look at me and after a few moments - (pause) - after a few moments she did, but the eyes just slits, because of the glare I bent over her to get them in the shadow and they opened. (Pause. Low) Let me in.
Samuel BeckettRead
And all these questions I ask myself. It is not in a spirit of curiosity. I cannot be silent. About myself I need know nothing. Here all is clear. No, all is not clear. But the discourse must go on. So one invents obscurities. Rhetoric.
Interpretation
This quote reflects the struggle of self-understanding and the complexities of communication.
In this quote, Samuel Beckett delves into the nature of introspection and the human experience of grappling with uncertainty. He expresses a paradox where the desire for self-knowledge clashes with the realization that clarity is elusive. The 'discourse' he alludes to represents the ceaseless effort to communicate and comprehend one's thoughts and emotions, even when they are shrouded in ambiguity and rhetorical embellishments.
In practice
In a philosophy class discussing the nature of existence.
I asked her to look at me and after a few moments - (pause) - after a few moments she did, but the eyes just slits, because of the glare I bent over her to get them in the shadow and they opened. (Pause. Low) Let me in.
Nothing happens. Nobody comes, nobody goes. It's awful.
I shall state silences more competently than ever a better man spangled the butterflies of vertigo.
And what I have, what I am, is enough, was always enough for me, and as far as my dear little sweet little future is concerned I have no qualms, I have a good time coming.
I love order. It's my dream. A world where all would be silent and still, and each thing in its last place, under the last dust.
We lose our hair, our teeth! Our bloom, our ideals.
And didn't it always go like that--body parts not lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn't stop watching, because, despite all you knew by now, it was still so interesting.
Law is the essential foundation of stability and order both within societies and in international relations.
Michelle Alexander's brave and bold new book paints a haunting picture in which dreary felon garb, post-prison joblessness, and loss of voting rights now do the stigmatizing work once done by colored-only water fountains and legally segregated schools. With dazzling candor, Alexander argues that we all pay the cost of the new Jim Crow.
It's interesting because I think class is a heavy, heavy part of 'Moonlight,' and I think, in a certain way, through the sum of all these parts, it's become a commentary on the black experience in America.
Judicial execution can never cancel or remove the atrocity it seeks to punish; it can only add a second atrocity to the original one ... So long as one sees killing as wrong there is no need to waste time with the deterrent argument, since it would be nonsense to try to prevent a theoretical evil in the future by perpetrating an actual one in the present.
Like a blazing comet, I've traversed infinite nights, interstellar spaces of the imagination, voluptuousness and fear. I've been a man, a woman, an old person, a little girl, I've been the crowds on the grand boulevards of the capital cities of the West, I've been the serene Buddha of the East, whose calm and wisdom we envy. I've known honor and dishonor, enthusiasm and exhaustion. ...I've been the sun and the moon, and everything because life is not enough.
Subscribe for the occasional hand-picked quote. No noise.