What I quickly discovered is that our so-called new South Africa has as much material for a story-teller as the old one. The landscape hasn't really changed. Who is in power now is different to who was in power then, but the squatter camps grow like cancer, the rich get richer, the poor get poorer.
Interpretation
The quote reflects on the persistence of social inequality and the unchanged nature of the landscape despite political changes in South Africa.
Athol Fugard's quote highlights the irony that despite the transition to a 'new' South Africa, the fundamental issues of inequality and social justice remain largely unaltered. While the political figures leading the nation may have changed, the struggles faced by the impoverished are still evident, and the societal landscape reflects continuous hardships for those who live in squatter camps, illustrating a cycle of wealth and poverty perpetuated by systemic issues.
In practice
During a speech on social change, one could reference this quote to highlight ongoing inequalities.
For most of my writing life, I've refused to allow myself to believe that writing was a significant form of action. I always felt very uneasy about the fact that all I did was write in a situation as desperate as apartheid South Africa. Whether I was correct or not is a different issue.
You'll see that the strong, the affirmative, the positive voice in any of the plays I've written is that of a woman. My men are, well, not quite worthless, but they are certainly weak, and that reflects the reality I grew up with and what I think has in a sense shaped me.
I can't think of a single one of my plays that does not represent a coincidence between an external and an internal event. Something outside of me, outside even my own life, something I read in a newspaper or witness on the street, something I see or hear, fascinates me. I see it for its dramatic potential.
For you in the West to hear the phrase 'All men are created equal' is to draw a yawn. For us, it's a miracle. We're starting out at rock bottom, man. But South Africa does have soul.
As fascinated as I was by words on paper, it was matched by my fascination with words in people's mouths. The spoken word. And that is the world of theatre.
A woman may possess the wisdom and chastity of Minerva, and we give no heed to her, if she has a plain face. What folly will not a pair of bright eyes make pardonable? What dullness may not red lips are sweet accents render pleasant? And so, with their usual sense of justice, ladies argue that because a woman is handsome, therefore she is a fool. O ladies, ladies! there are some of you who are neither handsome nor wise.
Anger, depression, guilt, and shame are the product of the thinking that is at the base of violence on our planet.
The Word is living, being, spirit, all verdant greening, all creativity. This Word manifests itself in every creature.
The reason we have poverty is that we have no imagination. There are a great many people accumulating what they think is vast wealth, but it's only money... they don't know how to enjoy it, because they have no imagination.
Had the news of salvation by Jesus Christ been inscribed on the face of the sun and the moon, in characters that all nations would have understood, the whole earth had known it in twenty-four hours, and all nations would have believed it; whereas, though it is now almost two thousand years since, as they tell us, Christ came upon earth, not a twentieth part of the people of the earth know anything of it, and among those who do, the wiser part do not believe it.
Cyborg writing must not be about the Fall, the imagination of a once-upon-a-time wholeness before language, before writing, before Man. Cyborg writing is about the power to survive, not on the basis of original innocence, but on the basis of seizing the tools to mark the world that marked them as other...
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