Death ends a life, not a relationship.
Jack LemmonRead
If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable. [You must] reach the emotional and intellectual level of ability where you can go out stark naked, emotionally, in front of an audience.
Interpretation
To truly connect with an audience, an actor must be emotionally open and vulnerable.
This quote by Jack Lemmon emphasizes the importance of emotional vulnerability in acting. An actor who seeks to satisfy both themselves and their audience must be willing to expose their innermost feelings and thoughts, allowing for a deep connection that transcends mere performance. By being emotionally 'stark naked,' an actor can convey authenticity and relatability, which are essential for creating impactful art that resonates with viewers.
In practice
This quote can be used in a workshop on acting techniques to encourage students to embrace vulnerability.
Death ends a life, not a relationship.
It's hard enough to write a good drama, it's much harder to write a good comedy, and it's hardest of all to write a drama with comedy. Which is what life is.
Dying is not a sin. Not living is.
Failure seldom stops you. What stops you is the fear of failure.
I have lost someone I loved as a brother, as a closest friend, and a remarkable human being. We have also lost one of the best damn actors we'll ever see.
If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.
Things are pretty, graceful, rich, elegant, handsome, but, until they speak to the imagination, not yet beautiful.
Dancing is my obsession. My life.
Dress is at all times a frivolous distinction, and excessive solicitude about it often destroys its own aim.
In a way, editing is not unlike the movies. The best books, just like the best movies, are a collaboration. They're only as good as the compromise made between the artists involved.
Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
I get little kids who recognize me from 'Mary Poppins,' and it just delights me because it's our third generation.
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