I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.
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I came to terms with living mostly in a world of horror pictures or genre pictures.
I believe the cinema is one of our principal forms of art. It is an incredibly powerful way to tell uplifitng stories that can move people to cry with joy and inspire them to reach for the stars.
The first monster you have to scare the audience with is yourself.
I think the important thing about staying creative and staying sharp and original is not to look back too much.
Something like Nightmare On Elm Street, to me, was kind of an examination of levels of consciousness and the pain of facing the truth, and how easy it is to fall asleep, or want to fall asleep.
A collection of masks, depicting historical figures in life and what I like to call the eternal repose.
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