I don't accept ideologies that are not a product of consensus. I don't have an ideology, but I do have a sense of what's right and what's wrong.
Ruben BladesRead
I really think that music itself, being one of the greatest possible vehicles for mass communication, should be probed to its extremes, to see how effective it can actually become, which is one of the reasons why I became also interested in presenting political points of view.
Interpretation
Music is a powerful medium for communication and can be used to convey important messages.
In this quote, Ruben Blades emphasizes the power of music as a medium for communication, suggesting that music can transcend boundaries and effectively convey political and social messages. He advocates for exploring the full potential of music as a tool for expression and influence, highlighting its role in shaping public discourse and raising awareness on critical issues.
In practice
Using this quote in a speech about the impact of music on social movements.
I don't accept ideologies that are not a product of consensus. I don't have an ideology, but I do have a sense of what's right and what's wrong.
So that I saw music as a way of documenting realities from the urban cities of Latin America.
We had something to say. Whenever we played, people didn't dance, they listened.
I think we risk becoming the best informed society that has ever died of ignorance.
Poems are like dreams: in them you put what you don't know you know.
Listen to them, the children of the night. What music they make!
Roaming through the jungle of "Ohs" and "Ahs", searching for a more agreeable noise, I live a life of primitivity with the mind of a child and an unquenchable thirst for sharps and flats.
If, in 2014, we're still making 'white savior movies,' then it's just lazy and unfortunate. We've grown up as a country, and cinema should be able to reflect what's true. And what's true is that black people are the center of their own lives and should tell their own stories from their own perspectives.
If a writer doesn't generate hostility, he is dead.
What are our conductors giving us year after year? Only fresh corpses. Over these beautifully embalmed sonatas, toccatas, symphonies and operas the public dance the jitterbug. Night and day without let the radio drowns us in a hog-wash of the most nauseating, sentimental ditties. From the churches comes the melancholy dirge of the dead Christ, a music which is no more sacred than a rotten turnip.
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