I really wanted Rachel [from the Girl on The Train] to be purely fixated on fantasy and on her ex-husband.I didn't want her to be embarking on romanc…

- Erin Cressida Wilson

Just because Rachel [from the Girl On The Train] is an unreliable character doesn't mean she has sex with anybody who walks by her. It was important …

- Erin Cressida Wilson

I needed to enhance the outward threat to Rachel.In the book [Girl on the Train], her inner threat is so strong; the fear of herself and her inabilit…

- Erin Cressida Wilson

The gaslight of the film [The Girl On The Train] became something that really needed to be dramatized more than the book did, because it wasn't going…

- Erin Cressida Wilson

I wanted to keep the complexity of the female experience in the film as much as it is in the book, and the subject of not wanting a child is a very i…

- Erin Cressida Wilson

It's what you do when you have Allison Janney.My jaw-dropped at her performance. You think that part is sort of a regular part until she steps into t…

- Erin Cressida Wilson

I really needed to dramatize and clarify that Rachel was taking strides towards her own healing and her own sobriety - and that she was actually thor…

- Erin Cressida Wilson

I always thought that the location of this film [Girl In The Train] was on the train and inside her imagination, and her loneliness and her gaze out …

- Erin Cressida Wilson

It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on t…

- Erin Cressida Wilson