Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
Interpretation
The essence of a great performance lies in the quality of the music and songs you create.
Tom Petty emphasizes that in both recording and performing music, the foundation is the quality of the songs themselves. He suggests that if the songs are strong, much of the work is already accomplished, advising young musicians to focus their efforts on honing their songwriting skills, as this is crucial for success in the music industry.
In practice
Using this quote as advice to aspiring musicians in a workshop.
When my record company rejected 'Full Moon Fever', I was hurt so bad. I was pretty far along in my career at that point. I'd never had anything rejected; I'd never really even had a comment. So when that happened, it was really just a board to the forehead. But then, finally, I picked myself up.
I developed a problem with authority. Any time that authority was what I interpreted as being unjust, I stood up to it, and that became my personality.
I don't know, my music has always just come from where the wind blew me. Like where I'm at during a particular moment in time.
Music really isn’t supposed to be perfect. It’s all about people relating to each other and doing something that’s really from the soul. It must come from the soul.
It's hard for me... If I don't have a project going, I don't feel like I'm connected to anything. I don't even think it's that healthy for me. I like to get out of bed and have a purpose.
I think for it to be hip to be idealistic is weird, you know? I mean, even all the best rebels to me, had some sense of hope in them.
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
I've been getting interested in reimagining folk songs and writing songs that should have existed but didn't, particularly around the Civil War when black voices were muted and only allowed particular channels.
Remember the first time you went to a show and saw your favorite band. You wore their shirt, and sang every word. You didn't know anything about scene politics, haircuts, or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about.
When I play, maybe 'Back o' Town Blues,' I'm thinking about one of the old, low-down moments - when maybe your woman didn't treat you right. That's a hell of a moment when a woman tell you, 'I got another mule in my stall.'
There's a lot of really inspiring music coming around the bend - we tend to believe that to sound classic or timeless is to sound vintage or retro. It's a little bit dangerous, because you'll really miss a chance to make your mark as a generation.
If it's illegal to rock and roll, throw my ass in jail!
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