The toughest parts of the shooting schedule for me are the days between working, when you've nothing to do but wait. There is only so much time you c…

- Bryce Pinkham

I think the only productive way to approach characters, and frankly people in life, is through empathy. The minute we call someone a villain, we are …

- Bryce Pinkham

I perform regularly with a theater company called Outside the Wire who take performances of Greek tragedy to American-military audiences around the w…

- Bryce Pinkham

I didn't know enough about the Civil War or its lingering effects as we all should. It's really easy to think that the Civil War was the end of slave…

- Bryce Pinkham

I have been exposed to a great deal of the issues surrounding PTSD, but what I have learned that is most relevant to my work on Mercy Street is that …

- Bryce Pinkham

Onstage, I enjoy the thrill of live performance - there is no substitute for that rush. On camera I enjoy the crafting of a scene, the widespread cre…

- Bryce Pinkham

I don't like the word "villain." It's too reductive. Calling someone a villain makes it too easy to ignore all the factors that went into someone mak…

- Bryce Pinkham

I usually experiment with posture and physical attributes that may inform the character. Next, my impression gets a nice injection of inspiration whe…

- Bryce Pinkham

The "stage" on which you perform in film and TV is much smaller. Moving your eyes across the frame is equivalent to crossing from stage right to stag…

- Bryce Pinkham