Design is inherently optimistic. That is its power.
William McdonoughRead
Designing renders visible our hopes and dreams. It is the first signal of human intentions.
Interpretation
Designing embodies our aspirations and intentions, manifesting them into something tangible.
This quote by William McDonough emphasizes the role of design in transforming abstract ideas and visions into a physical reality. It highlights that through the act of designing, we articulate our desires and aspirations, thereby giving life to our hopes and dreams and signaling our intentions as humans.
In practice
Using this quote in a presentation about design principles.
Design is inherently optimistic. That is its power.
We are proposing buildings that, like trees, are net energy exporters, produce more energy than they consume, accrue and store solar energy, and purify their own waste, water and release it slowly in a purer form.
If we think about things having multiple lives, cradle to cradle, we could design things that can go back to either nature or back to industry forever.
I think as designers we realize design is a signal of intention, but it also has to occur within a world and we have to understand that world in order to imbue our designs with inherent intelligence.
Here's where redesign begins in earnest, where we stop trying to be less bad and we start figuring out how to be good.
Designers are inherently optimistic people who try to make the world a better place
On Creating — What we crave, what we want to see in others eyes, is that servile expression, an unconcealed infatuation with our gestures.
What I'm working on now - I'm back to fantasy, although considering that it's me, I'm turning it into a kind of science fantasy. It's a vampire story - but my vampires are biological vampires. They didn't become vampires because someone bit them; they were born that way.
Anybody can write music of a sort. But touching the public heart is quite another thing.
Fiction—and poetry and drama— cleanse the doors of perception.
Only stilted pedants can conceive the idea that there are absolute norms to tell what is beautiful and what is not. They try to derive from the works of the past a code of rules with which, as they fancy, the writers and artists of the future should comply. But the genius does not cooperate with the pundit.
Since I became a novelist I have discovered that I am biased. Either I think a new novel is worse than mine and I don’t like it, or I suspect it is better than my novels and I don’t like it.
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