Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
Reverence is fatal to literature.
Interpretation
Reverence for literature stifles creativity and originality.
This quote by E. M. Forster suggests that holding literature in too high a regard can impede the creative process. When writers or readers approach literature with excessive reverence, they may become constrained by its traditions and expectations, rather than exploring new ideas and forms that can lead to genuine artistic expression.
In practice
In a literary discussion about the boundaries of creativity, this quote can be used to emphasize the importance of innovation over tradition.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
My film is not a movie; it's not about Vietnam. It is Vietnam.
I will tell you what Jeanne was like. She was like a piano in a country where everyone has had their hands cut off.
I’m just a storyteller, and the cinema happens to be my medium. I like it because it recreates life in movement, enlarges it, enhances it, distills it. For me, it’s far closer to the miraculous creation of life than, say, a painting or music or even literature. It’s not just an art form; it’s actually a new form of life, with its own rhythms, cadences, perspectives and transparencies. It’s my way of telling a story.
All the revision in the world will not save a bad first draft: for the architecture of the thing comes, or fails to come, in the first conception, and revision only affects the detail and ornament, alas!
You will never, I think, fully conquer the play. Every night, you see this Everest before you. It's that two, three hours and the audience, and you'd better tell the truth.
The worst thing that being an artist could do to you would be that it would make you slightly unhappy constantly.
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