I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Virginia WoolfRead
I am writing to a rhythm and not to a plot.
Interpretation
The quote emphasizes the importance of creativity and the fluidity of artistic expression over rigid structures.
Virginia Woolf suggests that in the realm of writing and creativity, the flow and rhythm of words matter more than adhering strictly to a predetermined storyline or structure. This perspective values the organic process of writing, where emotions and artistic instincts guide the creation rather than a fixed plot, allowing for more authentic and impactful expressions.
In practice
An author quoting this at a literary workshop to inspire creative freedom.
I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Death is woven in with the violets,β said Louis. βDeath and again death.β)
He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.
I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.
I do think all good and evil comes from words. I have to tune myself into a good temper with something musical, and I run to a book as a child to its mother.
London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.
The maker of kitsch does not create inferior art, he is not an incompetent or a bungler, he cannot be evaluated by aesthetic standards; rather, he is ethically depraved, a criminal willing radical evil. And since it is radical evil that is manifest here, evil per se, forming the absolute negative pole of every value-system, kitsch will always be evil, not just kitsch in art, but kitsch in every value-system that is not an imitation system.
When you write a song, it may come from a personal space, but it very seldom actually represents you. It comes out of a sort of mood of melancholy, somehow. It's almost theatrical.
Creativity is a process more often than it is an event.
Anybody can write music of a sort. But touching the public heart is quite another thing.
You are writing for your contemporaries - not for Posterity. If you are lucky, your contemporaries will become Posterity.
An artist must forget painting when he paints. That's the only way he will do original work.
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