Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
Romantic art deals with the exception and with the individual. Good people, belonging as they do to the normal, and so, commonplace type, are artistically uninteresting.
Interpretation
Romantic art focuses on unique individuals rather than commonplace people.
Oscar Wilde suggests that romantic art is concerned with exceptional individuals and their unique experiences, implying that those who are merely normal or typical do not provide the depth or intrigue necessary for artistic exploration. This perspective values individuality and the extraordinary, positioning good, ordinary people as less interesting in the context of artistic expression.
In practice
During a lecture on art history, one might use this quote to discuss the importance of individuality in artistic expression.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
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For me the experience of writing is really an experience of losing control.... I think it's very much like dreaming or like surfing. You go out there and wait for a wave, and when it comes it takes you somewhere and you don't know where it'll go.
Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.
I don't want the reader to be aware of me as the writer.
The theatre is supremely fitted to say: 'Behold! These things are.' Yet most dramatists employ it to say: 'This moral truth can be learned from beholding this action.'
When you produce an album, you're dealing with it theatrically. It has to have a structure, and the inner response to that is that the ear loves it.
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