. . . money . . . is really the difference between men and animals, most of the things men feel, animals feel, and vice versa, but animals do not know about money.
Gertrude SteinRead
Rose is a rose is a rose is a rose.
Interpretation
This quote emphasizes that things are what they are, regardless of interpretation or context.
Gertrude Stein's repetitive phrase, 'Rose is a rose is a rose is a rose,' suggests that a rose remains a rose, symbolizing the idea of identity and the essence of objects. Stein's work often explores the nature of language and meaning, and in this quote, she hints at the simplicity and clarity of perception, urging us to accept things as they are without overcomplicating our understanding.
In practice
This quote can be used in an art class to discuss the role of perception in understanding artwork.
. . . money . . . is really the difference between men and animals, most of the things men feel, animals feel, and vice versa, but animals do not know about money.
The creator of the new composition in the arts is an outlaw until he is a classic.
If the communication is perfect, the words have life, and that is all there is to good writing, putting down on the paper words which dance and weep and make love and fight and kiss and perform miracles.
The United States is just now the oldest country in the world, there always is an oldest country and she is it, it is she who is the mother of the twentieth century civilization. She began to feel herself as it just after the Civil War. And so it is a country the right age to have been born in and the wrong age to live in.
I simply contend that the middle-class ideal which demands that people be affectionate, respectable, honest and content, that they avoid excitements and cultivate serenity is the ideal that appeals to me, it is in short the ideal of affectionate family life, of honorable business methods.
It is natural to indulge in the illusions of hope. We are apt to shut our eyes to that siren until she allures us to our death.
My job in this life is to give people spiritual ecstasy through music. In my concerts people cry, laugh, dance. If they climaxed spiritually, I did my job. I did it decently and honestly.
I always thought I'd eventually learn how to draw really well, and despite constant evidence to the contrary, I just kept on trying. If you're too good at anything, you don't have to think about the process, whereas I feel like I spend my life with my head under the bonnet, trying to understand how everything works.
I still consider myself to be introverted, but everyone has a side of themselves that is amplified. Performers have to learn to tap into that, even if it's not natural.
I want to create a world with objects and surroundings that are human, more romantic, and less sterile.
A great production of a black comedy is better than a mediocre production of a comedy of errors.
People assume actors are born liars, but I'd argue the actor's job is to tell the truth. And I've realised I'm not a good liar.
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