All experiment is made on a basis of tradition; all tradition is the crystallization of experiment.
Louis MacneiceRead
The rules or 'laws' of poetry are only tentative devices, an approximate scheme. There is no Sinaitic recipe for poetry, for the individual poem is the norm.
Interpretation
Poetry is not bound by strict rules; it evolves through individual expression.
In this quote, Louis Macneice emphasizes that the conventions and rules of poetry are merely guidelines rather than absolute laws. He suggests that true poetry arises from personal creativity and expression, indicating that each poem should be seen as a unique work that transcends generalized rules.
In practice
Discussing the nature of poetry in a writing workshop.
All experiment is made on a basis of tradition; all tradition is the crystallization of experiment.
I am not yet born; O fill me with strength against those who would freeze my humanity.
Everyone is not able, or inclined, to write poetry in the narrower sense any more than everyone is qualified to take part in a walking race. But just as all of us can and do walk, so all of us can and do use language poetically.
I am not yet born; Forgive me For the sins that in me the world shall commit, my words When they speak me, my thoughts when they think me, My treason engendered by traitors beyound me, My life when they murder by means of my hands, my death when they live me.
All that I would like to be is human, having a share_x000D_ in a civilized, articulate and well-adjusted_x000D_ community where the mind is given its due_x000D_ but the body is not distrusted
Good actors I've worked with all started out making faces in a mirror, and you keep making faces all your life.
The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.
I'm afraid that if you look at a thing long enough, it loses all of its meaning.
In cinema, the leading player is the director.
In a rehearsal room, your real resource as an actor aren't the things around you; your resources are your imagination and your director and the other actors. In those close quarters, your imagination and your skills are what you turn to.
You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
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