Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
It is a sad truth, but we have lost the faculty of giving lovely names to things.
Interpretation
This quote reflects a loss of creativity and beauty in how we name and perceive the world around us.
Oscar Wilde's observation highlights the notion that society has become desensitized or less imaginative in naming things, which diminishes the beauty and emotional resonance we associate with names. By suggesting we have lost the ability to give 'lovely names' to things, Wilde invites us to reflect on the significance of language and its role in shaping our experiences and perceptions of the world.
In practice
In a literary analysis, this quote can emphasize the importance of language in creative writing workshops.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
The essence of interior design will always be about people and how they live.
Just as there is no substitute for original works of art, there is no substitute for the world of direct sensual experience.
My visual landscape as a child was the inside of a lot of these old churches. And the Baroque drama of the things was what I was first engaging with artwise. I'm much more attracted to the aesthetic of religious iconography than the actual religious side. The passion and the blood and the violence and the gaudy side of it I find really fascinating.
You don't write a song to sit there on a page. You write it to sing it.
Modernity signifies the transitory, the fugitive, the contingent, the half of art of which the other half is the eternal and the immutable.
I've been blessed with enough wealth that I can make a film myself up to a certain budget. So one way I thought I would reinvent myself was just to make these very small, personal films that I've financed myself.
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