Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
It is a sad truth, but we have lost the faculty of giving lovely names to things.
Interpretation
This quote reflects a loss of creativity and beauty in how we name and perceive the world around us.
Oscar Wilde's observation highlights the notion that society has become desensitized or less imaginative in naming things, which diminishes the beauty and emotional resonance we associate with names. By suggesting we have lost the ability to give 'lovely names' to things, Wilde invites us to reflect on the significance of language and its role in shaping our experiences and perceptions of the world.
In practice
In a literary analysis, this quote can emphasize the importance of language in creative writing workshops.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
The thing is, 'Discworld' had been going on for a very long time, and I've written children's books as well. Usually when people have a really big series they franchise it, which I thought is a bit of a no-no, so I thought what I'd do is I'd franchise it to myself.
Maybe I'm outdated in thinking this, but because I'm a young black woman and don't see very many being the lead in a film, I have this fear: 'Will I be working?'
I love a ballad in print o' life, for then we are sure they are true.
The creator of the new composition in the arts is an outlaw until he is a classic.
Art happens-no hovel is safe from it, no prince may depend upon it, the vastest intelligence cannot bring it about.
[Comedies], in the ancient world, were regarded as of a higher rank than tragedy, of a deeper truth, of a more difficult realization, of a sounder structure, and of a revelation more complete. The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man. ...Tragedy is the shattering of the forms and of our attachment to the forms...
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