If the script's good, everything you need is in there. I just try and feel it, and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorizing rather than being real. Maybe every other actor would think that was terrible, I don't know. But it seems to have worked for me, so far.
Interpretation
The quote emphasizes the importance of authenticity and instinct in acting over rote memorization.
Olivia Colman reflects on her approach to acting, suggesting that a well-written script contains all the necessary elements for a performance. She expresses her preference for embodying the character honestly rather than merely memorizing lines for auditions, which she feels compromises the authenticity of the portrayal. Her method may not align with traditional expectations, but it has proven effective for her career.
In practice
During an acting workshop, this quote can be shared to inspire students to trust their instincts.
When you've got children, it's easy to do that thing of keeping a tally of who woke up earliest and whose turn it is to put them to bed. But I think the important thing is to appreciate and love each other and to show that appreciation.
I had a lovely, feral, free childhood - out and then come back when you're hungry or it gets too dark. I feel slightly cruel that I'm not offering my children the same.
My mum was a nurse, and her passion was geriatric care. I used to love listening to the old people's stories in her nursing home and picturing myself in their place. They'd say, 'I went to school in a horse and cart,' and I'd just think 'Wow!' I'd picture myself in their place - acting was a natural progression.
Artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
The job is to seek mystery, evoke mystery, plant a garden in which strange plants grow and mysteries bloom. The need for mystery is greater than the need for an answer.
Today, comics is one of the very few forms of mass communication in which individual voices still have a chance to be heard.
I think I probably would have enjoyed to keep my own private pain out of my work. But I was changed by my audience who said your private pain which you have unwittingly shown us in your early songs is also ours.
And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.
Perhaps 'photography' has become so all-pervasive that it no longer makes sense to think about it as a discreet practice or field of inquiry. In other words, perhaps 'photography,' as a meaningful cultural trope, is over.
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