A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Neil GaimanRead
Shadow looked down at the girl on the table. “What happened to her?” he asked. “Poor taste in boyfriends,” said Jacquel. “It’s not always fatal.
Interpretation
Sometimes poor choices in romantic partners can lead to dire consequences.
In this quote, Neil Gaiman highlights the impact that choices in relationships can have on a person's life. It suggests that selecting the wrong partner can lead to unfortunate situations, though they are not always fatal. This reflects the complexities of human relationships and the potential risks involved in our emotional connections.
In practice
This quote could be used in a discussion about the importance of choosing the right partner in a relationship.
A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Jesus. Low-Key Lyesmith," said Shadow. and then he heard what he was saying and he understood. "Loki," he said. "Loki Lie-smith." "You're slow," said Loki, "but you get there in the end." And his lips twisted into a scarred smile and the embers danced in the shadows of his eyes.
As a teenager I wrote to R.A. Lafferty. And he responded, too, with letters that were like R.A. Lafferty short stories, filled with elliptical answers to straight questions and simple answers to complicated ones.
The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored.
Nothing’s changed. You’ll go home. You’ll be bored. You’ll be ignored. No one will listen to you, really listen to you. You’re too clever and too quiet for them to understand. They don’t even get your name right.
I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend.
The Christian needs another Christian who speaks God's word to him. He needs him again and again when he becomes uncertain and discouraged, for by himself he cannot help himself without belying the truth.
Man survives earthquakes, epidemics, the horrors of disease, and all the agonies of the soul, but for all time his tormenting tragedy is, and will be, the tragedy of the bedroom.
When I was just a twenty-something, I came to Newark, and I found a connection to the city in a spiritual way. I found a connection here and people here that reminded me so much of my roots and my own family.
I loved something I made up, something that's just as dead as Melly is. I made a pretty suit of clothes and fell in love with it. And when Ashley came riding along, so handsome, so different, I put that suit on him and made him wear it whether it fitted him or not. And I wouldn't see what he really was. I kept on loving the pretty clothes—and not him at all.
When I was little, my friends would gush over wedding gowns and honeymoons. But I saw too many people flush decades together down the toilet over money or kids or meaningless flings. My own parents chose to stay married, which I think is rather funny, since they show about as much affection for each other as pit bulls in a ring. Tying the knot means slipping a noose around love and choking it to death.
I asked her to look at me and after a few moments - (pause) - after a few moments she did, but the eyes just slits, because of the glare I bent over her to get them in the shadow and they opened. (Pause. Low) Let me in.
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