Southerners love a good tale. They are born reciters, great memory retainers, diary keepers, letter exchangers . . . great talkers.
Eudora WeltyRead
A short story is confined to one mood, to which everything in the story pertains. Characters, setting, time, events, are all subject to the mood. And you can try more ephemeral, more fleeting things in a story - you can work more by suggestion - than in a novel. Less is resolved, more is suggested, perhaps.
Interpretation
A short story should maintain a singular emotional tone throughout, where all elements contribute to that mood.
Eudora Welty emphasizes that in short stories, the mood is paramount and encompasses all aspects of the narrative, such as characters, setting, and events. The brevity of the form allows for a more suggestive and open-ended exploration of themes, giving writers the freedom to evoke emotion with less resolution and more implication compared to longer forms like novels.
In practice
Using this quote during a workshop on short story writing to emphasize the importance of mood.
Southerners love a good tale. They are born reciters, great memory retainers, diary keepers, letter exchangers . . . great talkers.
Writing a story or a novel is one way of discovering sequence in experience, of stumbling upon cause and effect in the happenings of a writer's own life.
A sheltered life can be a daring life as well. For all serious daring starts from within.
For the source of the short story is usually lyrical. And all writers speak from, and speak to, emotions eternally the same in all of us: love, pity, terror do not show favorites or leave any of us out.
The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order the continuous thread of revelation.
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
I believe in God, Mozart and Beethoven, and likewise their disciples and apostles; - I believe in the Holy Spirit and the truth of the one, indivisible Art; - I believe that this Art proceeds from God, and lives within the hearts of all illumined men.
I want to be able to follow the example of those extraordinary British actresses who move effortlessly from film to TV to theatre roles.
I had rescued the moment by using my camera and in that way had found how to stop time and hold it. No one could take that image away from me because I owned it.
It doesn't matter if your lead character is good or bad. He just has to be interesting, and he has to be good at what he does.
What makes people the world over stand in line for Van Gogh is not that they will see beautiful pictures but that in an indefinable way they will come away feeling better human beings. And that is exactly what Van Gogh hoped for.
Music sets up certain vibration which unquestionably results in a physical reaction. Eventually the proper vibration for every person will be found and utilized.
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