Southerners love a good tale. They are born reciters, great memory retainers, diary keepers, letter exchangers . . . great talkers.
Eudora WeltyRead
A short story is confined to one mood, to which everything in the story pertains. Characters, setting, time, events, are all subject to the mood. And you can try more ephemeral, more fleeting things in a story - you can work more by suggestion - than in a novel. Less is resolved, more is suggested, perhaps.
Interpretation
A short story should maintain a singular emotional tone throughout, where all elements contribute to that mood.
Eudora Welty emphasizes that in short stories, the mood is paramount and encompasses all aspects of the narrative, such as characters, setting, and events. The brevity of the form allows for a more suggestive and open-ended exploration of themes, giving writers the freedom to evoke emotion with less resolution and more implication compared to longer forms like novels.
In practice
Using this quote during a workshop on short story writing to emphasize the importance of mood.
Southerners love a good tale. They are born reciters, great memory retainers, diary keepers, letter exchangers . . . great talkers.
Writing a story or a novel is one way of discovering sequence in experience, of stumbling upon cause and effect in the happenings of a writer's own life.
A sheltered life can be a daring life as well. For all serious daring starts from within.
For the source of the short story is usually lyrical. And all writers speak from, and speak to, emotions eternally the same in all of us: love, pity, terror do not show favorites or leave any of us out.
The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order the continuous thread of revelation.
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
We're a very expensive group; we break a lot of rules. It's unheard of to combine opera with a rock theme, my dear .
Art isn't only a painting. Art is anything that is creative, passionate and personal. Art is the unique work of a human being created to touch another. Art is created to have an impact, to change someone else.
A superhuman will is needed in order to write, and I am only a man.
To make great movies, there is an element of risk. You have to say, 'Well, I am going to make this film, and it is not really a sure thing.'
The proliferation of styles, genres, and media need not be the death knell of anything. Instead, it's a sign that our acceptance for variation and experimentation has become wider, our interests have become more diverse, and our appetites have become more omnivorous.
You could say that my aim is ‘to recover the place’. The place is a result of nature and time; this is the most important aspect. I think my architecture is some kind of frame of nature. With it, we can experience nature more deeply and more intimately. Transparency is a characteristic of Japanese architecture; I try to use light and natural materials to get a new kind of transparency.
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