And what a congress of stinks!- Roots ripe as old bait, Pulpy stems, rank, silo-rich, Leaf mold, manure, lime, piled against slippery planks, Nothing would give up life: Even the dirt kept breathing a small breath.
Theodore RoethkeRead
I teach my sighs to lengthen into songs.
Interpretation
What this quote means
The quote suggests transforming sorrow or struggles into beautiful expressions, like songs.
In this quote, Theodore Roethke emphasizes the power of creativity as a means to cope with one's emotions. Instead of allowing sighs, which symbolize sadness or distress, to consume him, he teaches them to evolve into songs, representing joy and artistic expression. This reflects the idea that through art and creativity, we can find beauty and meaning in our struggles.
Themes
ArtCreativityExpressionSorrowEmotionsSongs
In practice
Example use cases
In a poetry reading, to inspire others to find beauty in their pain.
More from Theodore Roethke
All quotes βMy Papa's Waltz: The whiskey on your breath Could make a small boy dizzy; But I hung on like death: Such waltzing was not easy. We romped until the pans Slid from the kitchen shelf; My mother's countenance Could not unfrown itself. The hand that held my wrist Was battered on one knuckle; At every step you missed My right ear scraped a buckle. You beat time on my head With a palm caked hard by dirt, Then waltzed me off to bed Still clinging to your shirt.
Theodore RoethkeRead
Art is our defense against hysteria and death.
Theodore RoethkeRead
The indignity of it!-_x000D_ _x000D_ With everything blooming above me,_x000D_ _x000D_ Lilies, pale-pink cyclamen, roses,_x000D_ _x000D_ Whole fields lovely and inviolate,-_x000D_ _x000D_ Me down in the fetor of weeds,_x000D_ _x000D_ Crawling on all fours,_x000D_ _x000D_ Alive, in a slippery grave.
Theodore RoethkeRead
By daily dying, I have come to be.
Theodore RoethkeRead
The stones were sharp, The wind came at my back; Walking along the highway, Mincing like a cat.
Theodore RoethkeRead
Similar quotes
I started being interested in acting when I heard the voices of Sir Laurence Olivier and Sir John Gielgud and Sir Alec Guinness. Ive had the great privilege of working with Sir Derek Jacobi and Sir Anthony Hopkins. These are people who inspire the work that I do.
Kenneth BranaghRead
I'll get cast occasionally as sort of the jerk version of myself, and I have fun doing that. But it's really better for everyone if I stay behind the camera.
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For the virtuoso, musical works are in fact nothing but tragic and moving materializations of his emotions; he is called upon to make them speak, weep, sing and sigh, to recreate them in accordance with his own consciousness. In this way he, like the composer, is a creator, for he must have within himself those passions that he wishes to bring so intensely to life.
Franz LisztRead
Oh Beautiful for smoggy skies, insecticided grain, _x000D_ For strip-mined mountain's majesty above the asphalt plain. _x000D_ America, America, man sheds his waste on thee, _x000D_ And hides the pines with billboard signs, from sea to oily sea.
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I always think first about the nature of the story. When I had the idea for 'The Namesake,' I felt that it had to be a novel - it couldn't work as a story.
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This award is meaningful because it comes from my fellow dealers in celluloid.
Alfred HitchcockRead