A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
Sol LewittRead
All of the significant art of today stems from Conceptual art. This includes the art of installation, political, feminist and socially directed art.
Interpretation
Conceptual art is the foundation for much of today's significant art, influencing various movements.
In this quote, Sol Lewitt emphasizes the pivotal role of Conceptual art as the underlying source of contemporary artistic expressions. He suggests that many modern artistic forms, such as installation art and those addressing political, feminist, and social issues, have evolved from the ideas and principles established by Conceptual art, highlighting its transformative impact on the art world.
In practice
In a lecture discussing the evolution of art movements, this quote could illustrate the foundational role of Conceptual art.
A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
Once it is out of his hand the artist has no control over the way a viewer will perceive the work. Different people will understand the same thing in a different way.
The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
Artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
Buying books was a way anyone could acquire a work of art for very little.
Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.
It is comparatively easy to become a writer; staying a writer, resisting formulaic work, generating ones own creativity - thats a much tougher matter.
The proliferation of styles, genres, and media need not be the death knell of anything. Instead, it's a sign that our acceptance for variation and experimentation has become wider, our interests have become more diverse, and our appetites have become more omnivorous.
The reason one writes isn't the fact he wants to say something. He writes because he has something to say.
Occasionally, in times of worry, I've longed to be stylish, but on second thought I say no-just let me be myself-and express rough, yet true things with rough workmanship.
At the end of the day, who I really and truly am is a little girl who loved to play the piano.
Fashion is about the present and the immediate future. I think in terms of now.
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