As in creating some significant work the artist first experiences something akin to dream awareness that becomes clarified in the creative process itself, so we must first have a vision of the future sufficiently entrancing that it will sustain us in the transformation of the human project that is now in process.
Interpretation
The creative process begins with a dream-like vision that inspires the actual work, emphasizing the importance of a compelling future vision to guide transformation.
This quote by Thomas Berry highlights the parallel between artistic creation and the pursuit of a significant future. It suggests that just as artists often start from a vague yet powerful dream that gradually becomes clearer through their creative efforts, humanity must also hold onto a captivating vision of the future. This vision is essential to navigate and sustain the inevitable transformations that humanity is currently undergoing.
In practice
This quote could be used in a motivational speech about innovation and creativity in the workplace.
If the religious experience were simply some naive impression of the uninformed it would not have resulted in such intellectual insight, such spiritual exaltation, such spectacular religious ritual, or in the immense volume of song and poetry and literature and dance that humans have produced.
We might sometimes reflect and recall that the purpose of all our science, technology, industry, manufacturing, commerce, and finance is celebration, planetary celebration. This is what moves the stars through the heavens and the earth through its seasons. The final norm of judgment concerning the success or failure of our technologies is the extent to which they enable us to participate more fully in this grand festival.
Diversity is the magic. It is the first manifestation, the first beginning of the differentiation of a thing and of simple identity. The greater the diversity, the greater the perfection.
Both education and religion need to ground themselves within the story of the universe as we now understand this story through empirical knowledge. Within this functional cosmology, we can overcome our alienation and begin the renewal of life on a sustainable basis. This story is a numinous revelatory story that could evoke the vision and the energy required to bring not only ourselves but the entire planet into a new order of magnificence.
The historical mission of our times is to re-invent the human—at the species level, with critical reflection, within the community of life-systems, in a time-developmental context, by means of story and shared dream experience.
If the outer world is diminished in its grandeur, then the emotional, imaginative, intellectual, and spiritual life of the human is diminished or extinguished. Without the soaring birds, the great forests, the sounds and coloration of the insects, the free-flowing streams, the flowering fields, the sight of clouds by day and the stars at night, we become impoverished in all that makes us human.
The trouble with writing fiction is that it has to make sense, whereas real life doesn't.
When you take something that's inert, and through motion, give it life, make it appear to be alive, living, breathing thinking and having emotions, that's animation. But when you take something that's live-action, and move a part of it, that's a special effect.
Tip the world over on its side and everything loose will land in Los Angeles.
Then I felt something inside me break and music began to pour out into the quiet. My fingers danced; intricate and quick they spun something gossamer and tremulous into the circle of light our fire had made. The music moved like a spiderweb stirred by a gentle breath, it changed like a leaf twisting as it falls to the ground, and it felt like three years Waterside in Tarbean, with a hollowness inside you and hands that ached from the bitter cold.
What seems to me the highest and the most difficult achievement of Art is not to make us laugh or cry, or to rouse our lust or our anger, but to do as nature does-that is, fill us with wonderment.
At the point where I'm trying to force something and it's not happening, and I'm getting frustrated with, say, writing a poem, I can go and pick up the brushes and start painting. At the point where the painting seems to not be going anywhere, I go and pick up the guitar.
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