Instead of art I have taught philosophy. Though technique for me is a big word, I never have taught how to paint. All my doing was to make people to see.
Josef AlbersRead
Simultaneous contrast is not just a curious optical phenomenon – it is the very heart of painting. Repeated experiments with adjacent colors will show that any ground subtracts its own hue from the colors which it carries and therefore influences.
Interpretation
Simultaneous contrast describes how colors affect one another, highlighting their interplay in painting.
Josef Albers emphasizes the essential role that color interaction plays in painting through the principle of simultaneous contrast. This phenomenon illustrates that the perception of a color is influenced by the colors surrounding it, thereby affecting the overall composition and impact of the artwork. Understanding this concept is crucial for artists as it helps them manipulate colors effectively to enhance their artistic expression.
In practice
An art instructor might use this quote to teach students about color theory.
Instead of art I have taught philosophy. Though technique for me is a big word, I never have taught how to paint. All my doing was to make people to see.
When we are honest - that's my saying - if we are honest then we will reveal ourselves. But we do not have to make an effort to be individualistic, different from others.
Ah, the creative process is the same secret in science as it is in art. They are all the same absolutely.
Traditionally art is to create and not to revive. To revive: leave that to the historians, who are looking backward.
In order to use color effectively it is necessary to recognize that color deceives continually.
The aim of our studies is to prove that color is the most relative means of artistic expression, that we never really perceive what color is physically.
It is my art. I am better at it than I ever was. And I will do it as long as I can. When you reach a certain age you can slough off what is unnecessary and concentrate on what is. And why not?
There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.
You have a strange relationship with calamity when you're a writer: you write about it; as an artist, you objectify and fetishize it. You render life into material, and that's a creepy thing to do.
If only America would realize that the art of Europe is finished - dead - and that America is the country of the art of the future, instead of trying to base everything she does on European traditions!
Beauty is produced by the pleasing appearance and good taste of the whole, and by the dimensions of all the parts being duly proportioned to each other.
I write from real life. I am an unrepentant eavesdropper and a collector of stories. I record bits of overheard dialogue.
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