We turn skeletons into goddesses and look to them as if they might teach us how not to need.
Interpretation
The quote reflects on transforming emptiness into something divine while learning the value of self-sufficiency.
Marya Hornbacher's quote suggests that we have the ability to take what is bare and lifeless (skeletons) and elevate it into something beautiful and worshipped (goddesses). This transformation signifies a deeper understanding of our own needs and desires, prompting us to consider how we can cultivate strength and independence instead of relying on external sources for fulfillment.
In practice
In a motivational speech about self-improvement, one could use this quote to emphasize the importance of transforming hardships into strengths.
I threw up again that night, half-afraid that my eyeballs would explode. But it was, by far, more important that I get rid of dinner. Of course, by then, throwing up was the only way I knew how to deal with fear. That paradox would begin to run my life: to know that what you are doing is hurting you, maybe killing you, and to be afraid of that fact--but to cling to the idea that this will save you, it will, in the end, make things okay.
Soon madness has worn you down. Itβs easier to do what it says than argue. In this way, it takes over your mind. You no longer know where it ends and you begin. You believe anything it says. You do what it tells you, no matter how extreme or absurd. If it says youβre worthless, you agree. You plead for it to stop. You promise to behave. You are on your knees before it, and it laughs.
There is never a sudden revelation, a complete and tidy explanation for why it happened, or why it ends, or why or who you are. You want one and I want one, but there isn't one. It comes in bits and pieces, and you stitch them together wherever they fit, and when you are done you hold yourself up, and still there are holes and you are a rag doll, invented, imperfect. And yet you are all that you have, so you must be enough. There is no other way.
Hospitalizations in general are blurry. The days are the same, precisely the same. Nothing changes. Life melts down to a simple progression of meals. They become a way of life fairly quickly. You may welcome this transition. It may seem inevitable to you. You have been removed from the world. It is all right, in a way, because there is nothing so sure, so safe, as routine.
For a long time I believed the opposite of passion was death. I was wrong. Passion and death are implicit, one in the other. Past the border of a fiery life lies the netherworld. I can trace this road, which took me through places so hot the very air burned the lungs. I did not turn back. I pressed on, and eventually passed over the border, beyond which lies a place that is wordless and cold, so cold that it, like mercury, burns a freezing blue flame.
I know how this feels: the tightening of the chest, the panic, the what-have-I-done-wait-I-was-kidding. Eating disorders linger so long undetected, eroding the body in silence, and then they strike. The secret is out. You're dying.
War is the unfolding of miscalculations.
Even if the open windows of science at first make us shiver after the cozy indoor warmth of traditional humanizing myths, in the end the fresh air brings vigor, and the great spaces have a splendor of their own.
If you think you're free, there's no escape possible.
And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"β here I opened wide the door; β Darkness there, and nothing more.
Armaments, universal debt and planned obsolescence - those are the three pillars of Western prosperity.
The only thing grief has taught me is to know how shallow it is.
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