We didn't have music videos. You weren't an overnight sensation. You had to work at it and learn your craft: how to take care of your voice, how to pace your concerts, all that trial and error.
Aretha FranklinRead
As a very small girl, I listened to Charlie Parker and loved him and Max Roach and people like that.
Interpretation
The speaker reminisces about her early love for influential musicians.
In this quote, Aretha Franklin reflects on her childhood experiences with music, specifically her admiration for jazz legends Charlie Parker and Max Roach. This highlights the formative influence of music on her life and career, showcasing how early inspirations can shape one's artistic journey.
In practice
During a music appreciation class, to emphasize the lasting impact of early musical influences.
We didn't have music videos. You weren't an overnight sensation. You had to work at it and learn your craft: how to take care of your voice, how to pace your concerts, all that trial and error.
Trying to grow up is hurting. You make mistakes. You try to learn from them, and when you don't, it hurts even more.
My mentor was Clara Ward of the famous Ward gospel singers of Philadelphia. And my dad was my coach. He coached me. And just my natural love for music is what drove me.
It really is an honor if I can be inspirational to a younger singer or person. It means I've done my job.
In terms of helping people understand and know each other a little better, music is universal - universal and transporting.
Everybody wants respect. In their own way, three-year-olds would like respect, and acknowledgment, in their terms.
I don't know if it's changing already with 'Joanne,' but my intention is to bring people together that don't know each other and that would maybe feel awkward, but somehow be brought together by the music. That's what I wanted to do. Because that is pure and authentic to my family history and what I stand for.
It's like there was me, then the Beatles phase, and now I'm me again.
The E Street band casts a pretty wide net. Our influences go all the way back to the early primitive garage music, and also, we've had everything in the band from jazz players to Kansas City trumpet players to Nils Lofgren, one of the great rock guitarists in the world.
When you're at a concert and you hear someone improvise well, that's special; it puts you in the moment and takes you someplace. To pull that off, a musician must be able to play his or her instrument really well, but more importantly must also be able to express something and take the listeners beyond themselves.
One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.
I'm one of a dying breed who goes out and tours all the time. Labels don't spend the money to send people out to play before they become famous, but we did do that so the fans we have are word of mouth fans who have been travelling around with us for years, and they buy the albums, but they are also the ones who go out and get the bootlegs. I don't discourage bootlegging, I like playing live, I don't think it hurts my album sales at all if there are bootlegs out there. Who cares?
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