As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
But, soft! what light through yonder window breaks? It is the east, and Juliet is the sun.
Interpretation
The quote expresses deep admiration for Juliet, comparing her beauty and presence to the sun.
In this quote from Shakespeare's 'Romeo and Juliet', the speaker, Romeo, marvels at Juliet's beauty as she appears at her window. The metaphor of Juliet as the sun emphasizes her warmth and brightness in his life, representing love and desire, and illustrates how her presence can illuminate his world, akin to the way the sun brightens the day.
In practice
This quote can be used in a wedding speech to highlight the beauty of love.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
The love of a Sage for his fellows likewise finds expression amongst mankind. Were he not told sop, he would not know that he loved his fellows. But whether he knows it or whether he does not know it, whether he hears it or whether he does not hear it, his love for his is without end, and mankind cease not to repose therein.
Let yourself be drawn by the stronger pull of that which you truly love.
It is not enough for us to say: I love God, but I do not love my neighbour. St. John says you are a liar if you say you love God and you don't love your neighbour. How can you love God whom you do not see, if you do not love your neighbour whom you see, whom you touch, with whom you live.
Because I liked you better Than suits a man to say, It irked you, and I promised I'd throw the thought away. To put the world between us We parted stiff and dry: 'Farewell,' said you, 'forget me.' 'Fare well, I will,' said I. If e'er, where clover whitens The dead man's knoll, you pass, And no tall flower to meet you Starts in the trefoiled grass, Halt by the headstone shading The heart you have not stirred, And say the lad that loved you Was one that kept his word.
I'm in love with language again because Luke B. Goebel is not afraid to take us back through the gullet of loss into the chaos of words. Someone burns a manuscript in Texas; someone's speed sets a life on fire; a heart is beaten nearly to death, the road itself is the trip, a man is decreated back to his animal past--better, beyond ego, beautiful, and look: there's an American dreamscape left. There's a reason to go on.
Every mouth you’ve ever kissed was just practice. All the bodies you’ve ever undressed and ploughed in to were preparing you for me. I don’t mind tasting them in the memory of your mouth. _x000D_ Was it a long journey? Did it take you long to find me? _x000D_ You’re here now, welcome home.
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