Because immigrants have always been particularly prone to repetition - it's something to do with that experience of moving from West to East or East to West or from island to island. Even when you arrive, you're still going back and forth; your children are going round and round. There's no proper term for it - original sin seems too harsh; maybe original trauma would be better.
But sometimes it's like you just meet someone and you just know that you're totally connected, and this person is, like, your brother - or your sister. Even if they don't, like, recognize it, you feel it. And in a lot of ways it don't matter if they do or they don't see that for what it is - all you can do is put the feeling out there. That's your duty. Then you just wait and see what comes back to you. That's the deal.
Interpretation
What this quote means
The quote expresses the deep, often immediate connection felt between individuals, likening it to familial bonds, regardless of mutual recognition.
In this quote, Zadie Smith captures the essence of an instant and profound connection that can exist between people, akin to a sibling bond. She emphasizes the importance of outwardly expressing this connection, even if the other person may not consciously acknowledge it. The quote reflects a beautiful aspect of human relationships, where the act of sharing feelings can pave the way for deeper connections, regardless of mutual awareness or acknowledgment.
Themes
In practice
Example use cases
You might use this quote in a speech about the importance of friendship during a graduation ceremony.
More from Zadie Smith
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He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.
We cannot be all the writers all the time. We can only be who we are. Which leads me to my second point: writers do not write what they want, they write what they can.
I think of reading like a balanced diet; if your sentences are too baggy, too baroque, cut back on fatty Foster Wallace, say, and pick up Kafka as roughage.
I never attended a creative writing class in my life. I have a horror of them.
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