I use a special tool. I make it myself; very sharp steel point and a handle like a pencil. For me it is a pencil. Maybe I have a special talent, a feeling you might say that lets me control it, to express my ideas as though I were sketching black on white.
For years I study. I look long at olive trees, all gray and silver, and watch the sunlight. Ah, yes, I am ver' lazy, but I see after I look long that… - Ugo Mochi
For years I study. I look long at olive trees, all gray and silver, and watch the sunlight. Ah, yes, I am ver' lazy, but I see after I look long that…
- Ugo Mochi
You cannot do silhouettes in fantasy. Ah, no, you must be faithful. It is, the art, a, what you call, paradox. It is always that you must be simple, … - Ugo Mochi
You cannot do silhouettes in fantasy. Ah, no, you must be faithful. It is, the art, a, what you call, paradox. It is always that you must be simple, …
One must have a thorough knowledge of anatomy and a good perception of depth for silhouette work. Otherwise they resemble those childish picture card… - Ugo Mochi
One must have a thorough knowledge of anatomy and a good perception of depth for silhouette work. Otherwise they resemble those childish picture card…
I use a special tool. I make it myself; very sharp steel point and a handle like a pencil. For me it is a pencil. Maybe I have a special talent, a fe… - Ugo Mochi
I use a special tool. I make it myself; very sharp steel point and a handle like a pencil. For me it is a pencil. Maybe I have a special talent, a fe…
It is most difficult to acquire the, how shall I say? the 'depth' of a subject in composition in silhouette. - Ugo Mochi
It is most difficult to acquire the, how shall I say? the 'depth' of a subject in composition in silhouette.
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