As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
Speak the speech, I pray you, as I pronounced it to you-trippingly on the tongue; but if you mouth it, as many of your players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently; for in the very torrent, tempest, and as I may say, the whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
Interpretation
This quote emphasizes the importance of delivering speeches with authenticity and control, avoiding exaggeration and insincerity.
In this quote, Shakespeare advises actors on how to deliver their lines effectively. He stresses that a genuine performance should flow naturally and not be marred by artificiality or over-exaggeration. The imagery of a storm contrasts with the need for temperance, suggesting that while passion is vital in a performance, it should be tempered with skill and moderation to create a smooth and engaging delivery.
In practice
In a drama class, the teacher might use this quote to encourage students to focus on genuine expression.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
If politicians can't do it, I want to do it. We have to do it. Artists, put it in paintings. Poets, put it in poems, novels. That's what we have to do. And I think it's so important to save the world.
On the stage he was natural, simple, affecting, 'Twas only when he was off, he was acting.
Abstract is not a style. I simply want to make a surface work. This is just a use of space and form: it's an ambivalence of forms and space.
Punk is not dead. Punk will only die when corporations can exploit and mass produce it.
I think the more the listener can contribute to the song, the better; the more they become part of the song, and they fill in the blanks. Rather than tell them everything, you save your details for things that exist. Like what color the ashtray is. How far away the doorway was. So when you're talking about intangible things like emotions, the listener can fill in the blanks and you just draw the foundation.
Writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.
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